KPOP FANS PRACTICES CONTENT CONSUMPTION TO PARTICIPATORY APPROACH

http://dx.doi.org/10.31703/gdpmr.2023(VI-II).16      10.31703/gdpmr.2023(VI-II).16      Published : Jun 2
Authored by : Ushba Ismail , Musa Khan

16 Pages : 238-250

References

  • Abd-Rahim, A. (2019). Online fandom: social identity and social hierarchy of Hallyu fans. The Journal for Undergraduate Ethnography, 9(1), 65–81. https://doi.org/10.15273/jue.v9i1.8885
  • Aisyah, A. (2017). Korean-English Language Translational Action of K-Pop Social Media Content: A Case Study on Bangtan Sonyeondan's (BTS) Official Twitter. 3L: Southeast Asian Journal of English Language Studies, 23(4). http://dx.doi.org/10.17576/3L-2017-2303-05
  • Bok-Rae, K. (2015). Past, present and Future of Hallyu (Korean Wave). American International Journal of Contemporary Research, 5(5), 154-160. https://www.aijcrnet.com/journals/Vol_5_No_5_October_2015/19.pdf
  • Booth, P. (2010). Digital fandom: New media studies. Peter Lang.
  • Booth, P. (Ed.). (2018). A companion to media fandom and fan studies. John Wiley & Sons.
  • Booth, P. J. (2015). Fandom: The classroom of the future. Transformative Works and Cultures, 19(0)
  • Elfving-Hwang, J. (2018). K-pop idols, artificial beauty and affective fan relationships in South Korea. In Routledge Handbook of Celebrity Studies (pp. 190-201). Routledge.
  • Hui, M. K., & Zhou, L. (2002). Linking product evaluations and purchase intention for country-of-origin effects. Journal of Global Marketing, 15(3-4), 95-116. https://doi.org/10.1300/J042v15n03_05
  • Jang, W., & Song, J. E. (2017). The Influences of K-pop Fandom on Increasing Cultural Contact. Korean Association of Regional Sociology, 18(2), 28.
  • Jenol, N. A. M., & Pazil, N. H. A. (2020). Escapism and motivation: Understanding K-pop fans' well-being and identity. Geografia, 16(4). http://dx.doi.org/10.17576/geo-2020- 160425
  • Kang, J., Kim, J., Yang, M., Park, E., Ko, M., Lee, M., & Han, J. (2021). Behind the scenes of K-pop fandom: unveiling K-pop fandom collaboration network. Quality & Quantity, 56(3), 1481–1502. https://doi.org/10.1007/s11135-021-01189-5
  • Khan, M., Won, Y. J., & PembecioÄŸlu, N. (2021). Cultural Exportation, Digital Distribution, and Penetration of K- Dramas in Turkey. Transnational Marketing Journal, 9(2), 367-387. https://doi.org/10.33182/tmj.v9i2.1054
  • Khan, M., & Won, Y. J. (2020). Transnationalization of TV Serials: A Comparative Study of the Exportation of Korean and Turkish TV Serials. European Journal of Social Sciences, 59(2), 193-208.
  • Kim, H. (2022). 'I read webtoons every day!': Young adult K-pop fans' language learning and literacies with Korean webcomics. Journal of Graphic Novels and Comics, 14(1), 104-118. https://doi.org/10.1080/21504857.2022.2053557
  • Kim, Y. S., Lee, J. E., & Lee, M. (2018). The purchasing behavior of K-pop idol goods consumers in Korea. Journal of Fashion Business, 22(6), 1–13. https://doi.org/10.12940/jfb.2018.22.6.1
  • Lee, S., & Nornes, A. M. (Eds.). (2015). Hallyu 2.0: The Korean Wave in the Age of Social Media. University of Michigan Press. https://doi.org/10.3998/mpub.7651262
  • Lee, S. H. (2016). Beauty between empires: Global feminism, plastic surgery, and the trouble with self-esteem. Frontiers: A Journal of Women Studies, 37(1), 1-31. https://doi.org/10.5250/fronjwomestud.37.1.0001
  • Lie, J. (2012). What is the K in K-pop? South Korean popular music, the culture industry, and national identity. Korea Observer, 43(3), 339-363. https://www.tobiashubinette.se/hallyu_1.pdf
  • Malik, Z., & Haidar, S. (2020). Online community development through social interaction — K-Pop stan Twitter as a community of practice. Interactive Learning Environments, 31(2), 733–751. https://doi.org/10.1080/10494820.2020.1805773
  • Maros, M., & Basek, F. N. A. (2022). Building online social identity and fandom activities of K-pop fans on Twitter. Journal of Language Teaching, Linguistics and Literature, 28(3), 282–295. https://doi.org/10.17576/3l-2022-2803-18
  • McCudden, M. L. (2011). Degrees of fandom: Authenticity & hierarchy in the age of media convergence. Doctoral dissertation, University of Kansas.
  • McLaren, C. (2021). 'They make me very happy': Practices, perceptions, and affective connections of K-pop fans in Canada.
  • McLaren, C., & Dal Yong, J. I. N. (2020). “You can’t help but love them”: BTS, transcultural fandom, and affective identities. Korea Journal, 60(1), 100-127.
  • McNamara, T. (1997). Theorizing social identity; what do we mean by social identity? Competing frameworks, competing discourses. TESOL Quarterly, 31(3), 561-567. https://doi.org/10.2307/3587838
  • Min, W., Jin, D. Y., & Han, B. (2019). Transcultural fandom of the Korean Wave in Latin America: through the lens of cultural intimacy and affinity space. Media, Culture & Society, 41(5), 604-619. https://doi.org/10.1177/0163443718799403
  • Pearson, R. E. (2010). Fandom in the digital era. Popular communication, 8(1), 84-95. http://dx.doi.org/10.1080/15405700903502346
  • Purwaningtyas, M. P. F., & Oktara, T. A. (2023). The Role-playing Self: Virtual Ethnography Study of K-Pop Fans’ Idol- roleplaying and Self-identity in Twitter. Jurnal ASPIKOM, 8(1), 95-108. http://jurnalaspikom.org/index.php/aspikom/article/view/1216
  • Reynolds, S. (2022). Parasocial Relationships with Online Influencers. LSU Digital Commons. https://digitalcommons.lsu.edu/gradschool_theses/5637?utm_source=digitalcommons.lsu.edu%2Fgradschool_theses%2F5637&utm_medium=PDF&utm_campaign=PDFCoverPages
  • Siswanti, A. (2014). Body in consumer culture: An analysis of Korean pop (K-pop) songs.
  • Souders, A. J. (2022). The New Pied Pipers: The Globalization of K-pop and the Role of Parasocial Relationships. Temple University.
  • Streng, C. A. (2018). Riding the Wave: How the Media Shapes South Korean Concepts of Beauty, Doctoral dissertation, University of North Texas.
  • Sughra, S. F., Shahzad, M., & Abbas, I. (2022). THE LINGUISTIC INFLUENCE OF KOREAN WAVE FROM PAKISTAN’S PERSPECTIVE. Pakistan Journal of Social Research, 4(1), 533-550. https://doi.org/10.52567/pjsr.v4i1.677
  • Sun, L., & Jun, J. W. (2022). Effects of Hallyu on Chinese Consumers: A Focus on Remote Acculturation. Sustainability, 14(5), 3018. https://doi.org/10.3390/su14053018
  • Sun, M. (2020). K-pop fan labor and an alternative creative industry: A case study of GOT7 Chinese fans. Global Media and China, 5(4), 389-406. https://doi.org/10.1177/2059436420954588
  • Sun, Y. (2022, November). Identifying the Factors Leading to the Globalization of K- Pop. In 2022 International Conference on Science Education and Art Appreciation (SEAA 2022) (pp. 769-776). Atlantis Press.
  • Tinaliga, B. (2018). “At War for OPPA and Identity”: Competitive Performativity among Korean-Pop Fandoms. USF Scholarship: A Digital Repository @ Gleeson Library | Geschke Center. https://repository.usfca.edu/capstone/768/
  • Touhami, B., & Al-Haq, F. A. (2017). The influence of the Korean wave on the language of international fans: A Case Study of Algerian fans. Sino-US English Teaching, 14(10), 598-626. https://doi.org/10.17265/1539-8072/2017.10.004
  • Tresna, K. A. A. D., Sukamto, M. E., & Tondok, M. S. (2021). Celebrity worship and body image among young girls fans of K-pop girl groups. Humanitas Indonesian Psychological Journal, 18(2), 100-111. http://dx.doi.org/10.26555/humanitas.v18i2.19392
  • Williams, J. P. (2016). Negotiating Fan Identities in K-Pop Music Culture. In Studies in symbolic interaction (pp. 81–96). Emerald Publishing Limited. https://doi.org/10.1108/s0163-239620160000047015
  • Xu, W. W., Park, J. Y., & Park, H. W. (2017). Longitudinal dynamics of the cultural diffusion of Kpop on YouTube. Quality & Quantity, 51, 1859-1875. https://doi.org/10.1007/s11135-016-0371-9
  • Yoon, K. (2018). Global imagination of K-pop: Pop music fans’ lived experiences of cultural hybridity. Popular Music and Society, 41(4), 373-389. https://doi.org/10.1080/03007766.2017.1292819
  • Abd-Rahim, A. (2019). Online fandom: social identity and social hierarchy of Hallyu fans. The Journal for Undergraduate Ethnography, 9(1), 65–81. https://doi.org/10.15273/jue.v9i1.8885
  • Aisyah, A. (2017). Korean-English Language Translational Action of K-Pop Social Media Content: A Case Study on Bangtan Sonyeondan's (BTS) Official Twitter. 3L: Southeast Asian Journal of English Language Studies, 23(4). http://dx.doi.org/10.17576/3L-2017-2303-05
  • Bok-Rae, K. (2015). Past, present and Future of Hallyu (Korean Wave). American International Journal of Contemporary Research, 5(5), 154-160. https://www.aijcrnet.com/journals/Vol_5_No_5_October_2015/19.pdf
  • Booth, P. (2010). Digital fandom: New media studies. Peter Lang.
  • Booth, P. (Ed.). (2018). A companion to media fandom and fan studies. John Wiley & Sons.
  • Booth, P. J. (2015). Fandom: The classroom of the future. Transformative Works and Cultures, 19(0)
  • Elfving-Hwang, J. (2018). K-pop idols, artificial beauty and affective fan relationships in South Korea. In Routledge Handbook of Celebrity Studies (pp. 190-201). Routledge.
  • Hui, M. K., & Zhou, L. (2002). Linking product evaluations and purchase intention for country-of-origin effects. Journal of Global Marketing, 15(3-4), 95-116. https://doi.org/10.1300/J042v15n03_05
  • Jang, W., & Song, J. E. (2017). The Influences of K-pop Fandom on Increasing Cultural Contact. Korean Association of Regional Sociology, 18(2), 28.
  • Jenol, N. A. M., & Pazil, N. H. A. (2020). Escapism and motivation: Understanding K-pop fans' well-being and identity. Geografia, 16(4). http://dx.doi.org/10.17576/geo-2020- 160425
  • Kang, J., Kim, J., Yang, M., Park, E., Ko, M., Lee, M., & Han, J. (2021). Behind the scenes of K-pop fandom: unveiling K-pop fandom collaboration network. Quality & Quantity, 56(3), 1481–1502. https://doi.org/10.1007/s11135-021-01189-5
  • Khan, M., Won, Y. J., & PembecioÄŸlu, N. (2021). Cultural Exportation, Digital Distribution, and Penetration of K- Dramas in Turkey. Transnational Marketing Journal, 9(2), 367-387. https://doi.org/10.33182/tmj.v9i2.1054
  • Khan, M., & Won, Y. J. (2020). Transnationalization of TV Serials: A Comparative Study of the Exportation of Korean and Turkish TV Serials. European Journal of Social Sciences, 59(2), 193-208.
  • Kim, H. (2022). 'I read webtoons every day!': Young adult K-pop fans' language learning and literacies with Korean webcomics. Journal of Graphic Novels and Comics, 14(1), 104-118. https://doi.org/10.1080/21504857.2022.2053557
  • Kim, Y. S., Lee, J. E., & Lee, M. (2018). The purchasing behavior of K-pop idol goods consumers in Korea. Journal of Fashion Business, 22(6), 1–13. https://doi.org/10.12940/jfb.2018.22.6.1
  • Lee, S., & Nornes, A. M. (Eds.). (2015). Hallyu 2.0: The Korean Wave in the Age of Social Media. University of Michigan Press. https://doi.org/10.3998/mpub.7651262
  • Lee, S. H. (2016). Beauty between empires: Global feminism, plastic surgery, and the trouble with self-esteem. Frontiers: A Journal of Women Studies, 37(1), 1-31. https://doi.org/10.5250/fronjwomestud.37.1.0001
  • Lie, J. (2012). What is the K in K-pop? South Korean popular music, the culture industry, and national identity. Korea Observer, 43(3), 339-363. https://www.tobiashubinette.se/hallyu_1.pdf
  • Malik, Z., & Haidar, S. (2020). Online community development through social interaction — K-Pop stan Twitter as a community of practice. Interactive Learning Environments, 31(2), 733–751. https://doi.org/10.1080/10494820.2020.1805773
  • Maros, M., & Basek, F. N. A. (2022). Building online social identity and fandom activities of K-pop fans on Twitter. Journal of Language Teaching, Linguistics and Literature, 28(3), 282–295. https://doi.org/10.17576/3l-2022-2803-18
  • McCudden, M. L. (2011). Degrees of fandom: Authenticity & hierarchy in the age of media convergence. Doctoral dissertation, University of Kansas.
  • McLaren, C. (2021). 'They make me very happy': Practices, perceptions, and affective connections of K-pop fans in Canada.
  • McLaren, C., & Dal Yong, J. I. N. (2020). “You can’t help but love them”: BTS, transcultural fandom, and affective identities. Korea Journal, 60(1), 100-127.
  • McNamara, T. (1997). Theorizing social identity; what do we mean by social identity? Competing frameworks, competing discourses. TESOL Quarterly, 31(3), 561-567. https://doi.org/10.2307/3587838
  • Min, W., Jin, D. Y., & Han, B. (2019). Transcultural fandom of the Korean Wave in Latin America: through the lens of cultural intimacy and affinity space. Media, Culture & Society, 41(5), 604-619. https://doi.org/10.1177/0163443718799403
  • Pearson, R. E. (2010). Fandom in the digital era. Popular communication, 8(1), 84-95. http://dx.doi.org/10.1080/15405700903502346
  • Purwaningtyas, M. P. F., & Oktara, T. A. (2023). The Role-playing Self: Virtual Ethnography Study of K-Pop Fans’ Idol- roleplaying and Self-identity in Twitter. Jurnal ASPIKOM, 8(1), 95-108. http://jurnalaspikom.org/index.php/aspikom/article/view/1216
  • Reynolds, S. (2022). Parasocial Relationships with Online Influencers. LSU Digital Commons. https://digitalcommons.lsu.edu/gradschool_theses/5637?utm_source=digitalcommons.lsu.edu%2Fgradschool_theses%2F5637&utm_medium=PDF&utm_campaign=PDFCoverPages
  • Siswanti, A. (2014). Body in consumer culture: An analysis of Korean pop (K-pop) songs.
  • Souders, A. J. (2022). The New Pied Pipers: The Globalization of K-pop and the Role of Parasocial Relationships. Temple University.
  • Streng, C. A. (2018). Riding the Wave: How the Media Shapes South Korean Concepts of Beauty, Doctoral dissertation, University of North Texas.
  • Sughra, S. F., Shahzad, M., & Abbas, I. (2022). THE LINGUISTIC INFLUENCE OF KOREAN WAVE FROM PAKISTAN’S PERSPECTIVE. Pakistan Journal of Social Research, 4(1), 533-550. https://doi.org/10.52567/pjsr.v4i1.677
  • Sun, L., & Jun, J. W. (2022). Effects of Hallyu on Chinese Consumers: A Focus on Remote Acculturation. Sustainability, 14(5), 3018. https://doi.org/10.3390/su14053018
  • Sun, M. (2020). K-pop fan labor and an alternative creative industry: A case study of GOT7 Chinese fans. Global Media and China, 5(4), 389-406. https://doi.org/10.1177/2059436420954588
  • Sun, Y. (2022, November). Identifying the Factors Leading to the Globalization of K- Pop. In 2022 International Conference on Science Education and Art Appreciation (SEAA 2022) (pp. 769-776). Atlantis Press.
  • Tinaliga, B. (2018). “At War for OPPA and Identity”: Competitive Performativity among Korean-Pop Fandoms. USF Scholarship: A Digital Repository @ Gleeson Library | Geschke Center. https://repository.usfca.edu/capstone/768/
  • Touhami, B., & Al-Haq, F. A. (2017). The influence of the Korean wave on the language of international fans: A Case Study of Algerian fans. Sino-US English Teaching, 14(10), 598-626. https://doi.org/10.17265/1539-8072/2017.10.004
  • Tresna, K. A. A. D., Sukamto, M. E., & Tondok, M. S. (2021). Celebrity worship and body image among young girls fans of K-pop girl groups. Humanitas Indonesian Psychological Journal, 18(2), 100-111. http://dx.doi.org/10.26555/humanitas.v18i2.19392
  • Williams, J. P. (2016). Negotiating Fan Identities in K-Pop Music Culture. In Studies in symbolic interaction (pp. 81–96). Emerald Publishing Limited. https://doi.org/10.1108/s0163-239620160000047015
  • Xu, W. W., Park, J. Y., & Park, H. W. (2017). Longitudinal dynamics of the cultural diffusion of Kpop on YouTube. Quality & Quantity, 51, 1859-1875. https://doi.org/10.1007/s11135-016-0371-9
  • Yoon, K. (2018). Global imagination of K-pop: Pop music fans’ lived experiences of cultural hybridity. Popular Music and Society, 41(4), 373-389. https://doi.org/10.1080/03007766.2017.1292819

Cite this article

    CHICAGO : Ismail, Ushba, and Musa Khan. 2023. "K-pop Fans Practices: Content Consumption to Participatory Approach." Global Digital & Print Media Review, VI (II): 238-250 doi: 10.31703/gdpmr.2023(VI-II).16
    HARVARD : ISMAIL, U. & KHAN, M. 2023. K-pop Fans Practices: Content Consumption to Participatory Approach. Global Digital & Print Media Review, VI, 238-250.
    MHRA : Ismail, Ushba, and Musa Khan. 2023. "K-pop Fans Practices: Content Consumption to Participatory Approach." Global Digital & Print Media Review, VI: 238-250
    MLA : Ismail, Ushba, and Musa Khan. "K-pop Fans Practices: Content Consumption to Participatory Approach." Global Digital & Print Media Review, VI.II (2023): 238-250 Print.
    OXFORD : Ismail, Ushba and Khan, Musa (2023), "K-pop Fans Practices: Content Consumption to Participatory Approach", Global Digital & Print Media Review, VI (II), 238-250