TV TALK SHOWS IN PAKISTAN POLITICALLY ENGAGED OR POLITICALLY SKEPTIC

http://dx.doi.org/10.31703/gdpmr.2021(IV-IV).03      10.31703/gdpmr.2021(IV-IV).03      Published : Dec 2021
Authored by : Sana Haroon , Noshina Saleem

03 Pages : 24-39

    Abstract

    The present research explores the political content of TV talk shows under the theoretical frameworks of framing and cultivation analysis. The content analysis of systematically selected 100 programs of five top rated serious and five comedy talk shows broadcast on Pakistani TV Channels during October-December 2019 were analyzed to detect the tropes of political engagement and political skepticism. The research established that days of the week, duration of the program, and the program's genre influenced the tropes of programs. The research concludes that serious talk shows contributed to political engagement, whereas comedy talk shows created more politically skeptical tropes.

    Key Words

    TV Talk Shows, Political Engagement, Political Skepticism, Content Analysis

    Introduction

    The literature investigates the conflicting findings of previous studies on TV talk shows. According to the researchers, these talk shows increase both political engagement (Jones, 2005; McClintock, 2004; Paletz, 2002; Van Zoonen, 2005) and political skepticism (Bennet, 2003; Hart, 2000). So far, no study in media research has investigated the tropes of political engagement and political skepticism by analyzing or reconnoitering serious as well as comedy TV talk shows over a single time span. The current study is aimed at the locus described above and attempts to fill a gap in research on TV talk shows in this area.

    In recent times, the popularity of TV talk shows has become well-established in Pakistan. People watch these programs to be informed by current happenings in Pakistan as well as around the globe. These programs discuss political, social, and religious issues on national and international scales, and they provide food for thought to their audiences. Tariq (2005), in his research has mentioned that the "creation and dissemination" of political news [talk] has always been the key element of Pakistani mass media, and as the result, it takes almost a lion's share of Pakistani media contents, leaving people been addicted to it. The mass media presents different stories, talk shows, and news regarding the political system and changes the views and perception of the public through its content. People are largely affected by the news and political talk shows. As Bilal et al. (2012) has pointed out that these shows helped in promoting participatory politics, revamp trust and hope in politics, and developing the democratic process. Therefore, the present research encompasses the TV talk shows to present the relationship between talk shows and political engagement and furthermore presents the relationship between these talk shows and political skepticism. 

    The appearance of TV talk shows in Pakistan materialized in the late 1960s when talk shows were started in 1969 on Pakistan Television (PTV) from Islamabad, capital of Pakistan.  Historically, the genre of these talk shows was serious and satirical in its gist. Later, serious talk shows on PTV exchanged by comedy talk shows like Show Time, Studio Dhai, Studio Poney Teen, Yes Sir No Sir, Loose Talk, Moin Akhtar Show, etc. Besides, the format of these programs was also changed, the essential elements of the audience was excluded in these talks shows, but they also got popularity in their times.

    After the emergence of Private TV Channels in Pakistan in the 2000s, viewers were introduced to some talk shows like 50 minutes by Abdul Rauf on Geo News, a Private TV channel. The element of the audience was again included. That program also got high viewership. Other private and public channels started different talk shows with the same format, but the element of the audience is extricated from these talk shows to some extent now. Even then, these shows have been successful in maintaining their popularity. In these talk shows, whether serious or comedy, viewers find the content quite thoughtful. From providing the analysis or entertainment to their viewers, they also provide the words for discussion to their viewers in their daily lives. On the level of format, these shows can be categorized as discussion shows or current affairs programs because the essential item, i.e., 'audience', are excluded from these shows. 

    On the other side, comedy talk shows started on private TV channels like "Hasb-e-Haal" on Dunya News TV Channel in January 2009.  It is followed by "Khabarnak" on Geo News in 2010, Khabardar on Express News in 2015, and Khabarzar on Aap News in 2018, in all these programs, we can observe the segment of the audience. Although the audience is shown, their participation in the program is minimal or sometimes on ‘zero level’. Therefore, the researcher intends to focus only on the content of these programs. 


    Political Engagement Versus Political Skepticism

    Political engagement is the opposite of political skepticism. Political skepticism is also relevant for an improved understanding of political engagement. Therefore, the present research explores the tropes of political engagement as well as political skepticism in the TV Talk shows broadcast on Pakistani TV channels. Critical comment has long suggested that the media contributes negatively to the political debate and cause, resulting in a cynical audience. Some even have said, "Television gives us a feeling of political ill" (Hart, 1999; Postman, 1985; Putnam, 1995). Early tests showed that consumption of the television news led to suspicion, inefficiency, and skepticism (Robinson,1976), but Miller and Reese (1982) found that media dependency helped to build a sense of effectiveness and politics. It is understandable that this contradiction persists in the assessment of media content.

    The negative political humor in comedy shows can contribute to skepticism, and political skepticism may also be the result of the program's structural limitations. Scholars remember that hosts generally have minimal knowledge about public relations, candidates' softball concerns, and programs make appeals to reach a wider audience (Depke, 1992; Hollander, 1996). Though comedy talks show mainly aim at highlighting those in the entertainment industry, they also point humorous criticism on politicians, political campaigns, and jokes monologue proposals. Public satire shows often deliver policy and political critiques, and hosts are often engaged in satirical political commentary with actors, authors, and musicians as allies. It is of interest that political knowledge can be gained by looking at these modern media content or shows.

    The tendency of inconsistency is also observed in the findings of past studies of TV Talk shows. Khan (2013) conducted research on "Talk shows" and concluded that talk shows inject harmful ideas into people's lives. "The level of interests in television channels and their impact on the personal aspirations of young people" have been carried out by Aleena (2006). The research concluded that the higher the level of interest in TV shows, the greater the effect on viewer's personal expectations. The role of talk shows in raising consciousness, and political norms is addressed by Naz et al, (2014). The study shows that talk shows, in particular, not only increase political consciousness but also confusion. In his article, Ahmad (2016) noted that political talk shows have a strong impact on youth in terms of political performance. 

    A lot of work has been done into the democratic impact of political comedy programs (Baumgartner & Morris, 2006; 2008; Xenos & Becker, 2009; LaMarre, Landreville, & Spotlight, 2008). Moy et al. (2005) found that a nominee can be judged in the mind of a person when that nominee is present in a comedy show. Becker (2012) found, after exposure to satirical jokes the audiences develop negative feelings towards satirized politicians. The economy, politics, and popular perception of comedy are said to be influenced. Nadeem et al. (2012) argued that numerous television talk shows impact a huge community with fun and light parodies. Zooren et al. (2009) talk about comedy talk shows and political types of performers. The researchers concluded that comedy TV talk shows not only provide entertainment but also provide receptive voters to their representatives and the political system.


    Political Information and Democratic Processes

    Political engagement of citizens in a political system strengthens the democratic process. Weakened political engagement leads to political skepticism and gripes democracy in any society. Political information from media to citizens enhances democratic norms and values. Scholars have recommended that getting political information from television instills citizens to participate actively and competently for better functioning of democracy (Hart, 1999; Postman, 1985; Putman, 2000; Schudson, 1997). Apropos, to sustain a healthy and flourishing democracy, citizens must know about political happenings and actively create, communicate and participate in a political community. Otherwise, there will be the risk of low voter turn-out (Casper & Bass, 1998; Waldman, 2001), and citizen who vote will be mostly uninformed when they approach polls (Converse, 1974; Delli Carpini & Keeter, 1991), resulting in the wrong selection of candidates in elections. Therefore, it is pertinent to come to the true significance of TV talk shows and their impact on the citizens to predict the prospect of democracy in Pakistan. 

    The following hypothesis is also going to be tested to infer the empirical evidence to predict the engrossment of Talk Shows in the democratic process of Pakistan.

    H1: Comedy Talk Shows have many tropes of political Skepticism as compared to Political Engagement on Pakistani TV Channels


    Political Nature of TV Talk Shows

    The political nature of television talk shows is more likely to impact some viewers than others (Baum, 2002a; Cooper & Bates, 2003; Young, 2003). Viewers with lesser interest and understanding would be more influenced by political satire as they are amused by the content of comedy. Viewers with less experience in politics are less likely to vote against messages incompatible with their perceptions or best interests (Baum, 2002b).

    The critical problem for Gerbner was that TV succeeded so well in shaping the social reality that popular opinion grew to "uniform stereotypes, exploitable fears and resistance to substantive change" (1969, p.178). There has also been criticism of the ideas of uniform messages and non-selective viewing. As originally stated, the theory of culture suggested that, based on the narrative constructs of broadcasting, the world on TV was identical across the programs, uniting a cultured TV reality (Gerbner, 1969; Gerbner, Gross, Morgan, & Signorielli, 1994). 

    Many studies of cultivation (Morgan & Shanahan, 1997) have provided evidence of a small but persistent relationship between television viewing and beliefs about the social world that is similar to or plausibly implied by the images shown in television programs. Nonetheless, it is still unclear how this process occurs. Shrurn and O'Guinn offer one possibility based on the 'bin model' of memory (Wyer & Srull, 1989). This model suggests that the human memory resembles a file cabinet. When new information about a topic is acquired, a copy of that information is placed at the front of the file. If asked to make a judgment about a particular topic, a person will use the information which is most accessible. Two factors, among others, contribute to the greater accessibility of information: frequent and recent. When a person retrieves information about the topic, the contents of the file are searched from the front to the back. Thus, information that has frequently been repeated and recently acquired has the best chance of being remembered. A person who regularly watches a large amount of television programming that presents a consistent view of a topic might group many television images at the beginning of the file. When asked to make a judgment about social reality, these images may be the most accessible. Consequently, the person might base his or her judgment of social reality on them. Therefore, the present study will be based on the bin model of memory presented by Wyer and Srull (1989). The present study assists the media industry in designing and producing better programs to support the democratic system, political processes and to attract more young audiences. 

    Methods

    The present research applied content analysis to analyze the content of TV talk shows of Pakistani channels. According to Weber (1990), content analysis is a “research method that uses a set of procedures to make valid inferences from text” (p.9). This concise definition captures the essence of content analysis very well, although it may be worth adding that text is not the only content that might be ‘subjected to analysis’. (Transcripts of) oral communications, as well as visual communications, could also be subjected to this type of analysis. This study, however, limits its scope to the content analysis of verbal communication of the host and the guests in TV talk shows.

    Holsti (1969) defines content analysis as beyond making valid inferences from text, most content analysis “seeks to quantify content in terms of predetermined categories and in a systematic and replicable manner” (p.14.). In other words, content analysis endeavors to analyze text in a systematic, empirical manner that is made sufficiently explicit to permit replication. Generally, this means that content analysis proceeds based on instructions that enumerate explicit categories. Consequently, Babbie (2004) has described content analysis as “essentially a coding operation” (p. 318).

    Therefore, in the present research, content analysis technique was used to detect the tropes of political engagement and political skepticism in five top rated serious as well as five comedy TV talk shows in Pakistan. The top-rated five serious talk shows based on viewership rated by Media Logic Pakistan (2018): (1-Program: Capital Talk,Host: Hamid Mir, TV: Channel: Geo News), (2-Program: Off the Record, Host: Kashif Abbassi, TV: Channel: ARY News), (3-Program: The Reporters, Host: Ehtisham Ameer, TV: Channel: ARY News), (4-Program: On the front with Kamran Shahid, Host: Kamran Shahid, TV: Channel: Dunya News) and (5-Program: Nadeem Malik Live, Host: Nadeem Malik, TV: Channel: SAAMA News). The top-rated five comedy talk shows based on viewership rated by Media Logic Pakistan (2018): (1-Program: Hasb e Haal, Host: Junaid Saleem, Sohail Ahmed, TV: Channel: Dunya News), (2-Program: Mazaaq Raat, Host: Vasay Chaudhry, TV: Channel: Dunya News), (3-Program: Khabadar Naqalo say hoshiaayar, Host: Aftab Iqbal, TV: Channel: Express-News), (4-Program: Khabar Naak, Host: Ayesha Jahanzeib, TV: Channel: Geo News) and (5-Program: Siasi Theatre, Host: Syed Wasi Shah, TV: Channel: Express-News).

    In the study of Abelman (1994), the episode is the sampling unit, Abelman randomly selected 30 episodes between February and April 1992.  Douglas and Olson (1995) used content analysis in their experimental study, in their study 308, students saw episodes from 13 television comedies and filled up the questionnaire. Harmon (1989), and Carrol (1989) used purposive sampling technique to analyze the content of the program. Greenberg et al. (1997) took 10 episodes of each program in their study. Therefore, in the present study, every episode of the program was the sampling unit, and 10 episodes of each program were randomly selected from October 2019 to December 2019. The sample size for content analysis was 100 TV talk shows for the present study. The days of week, program, genre and duration of program were taken as independent variables for the present study

    For coding the data, according to coding protocol, five students having their M. Phil degrees in the discipline of Mass Communication were hired. There were three sessions for training the coders. After three sessions, a chunk of two programs (one serious and one comedy) was given to each coder to fill the coding sheet (see Appendix A). The inter-coder reliability was 95% in the present research. For inter-coder reliability, the modified version of Holsti's Scot's pi as applied by Shrikhande (2003) in her study was adopted in present research;

    The coefficient is calculated as: 

    Percent of agreement = Total correct – Total incorrect/ Total number measured = 877-23/900=.95. The inter-coder reliability is 95% in the present research. After getting the inter-coder reliability, each student coded the 20 episodes (10 serious talk shows and ten comedy talk shows).

    A seven-point 11-item semantic scale was constructed to measure the program's tropes (Political Engagement and Political Skepticism). Then scores of items from point 1 to point three merged into a single category, so in the case of point 5 to point seven merged into the category of 3. Whereas, neutral score on point 4 is taken as neutral category 2. Therefore, every program that got 22 score on semantic scale was considered a neutral program. Every program having less than 22 scores was considered politically engaging, and every program having more than 22 scores on semantic score was considered politically skeptical. 

    Findings and Discussion

    Table 1. Impact of Days of Week on the Stance of Talks Shows on Pakistani TV Channels

     

    N

    M

    SD

    SE

    95% CIM

    Minimum

    Maximum

    LB

    UB

    Sunday

    5

    21.4000

    8.61974

    3.85487

    10.6972

    32.1028

    11.00

    28.00

    Monday

    36

    19.2222

    7.29035

    1.21506

    16.7555

    21.6889

    11.00

    33.00

    Tuesday

    28

    21.8214

    7.09749

    1.34130

    19.0693

    24.5735

    11.00

    33.00

    Wednesday

    3

    33.0000

    .00000

    .00000

    33.0000

    33.0000

    33.00

    33.00

    Thursday

    19

    24.5263

    6.65306

    1.52632

    21.3196

    27.7330

    11.00

    33.00

    Friday

    9

    25.3333

    7.41620

    2.47207

    19.6327

    31.0339

    15.00

    33.00

    Total

    100

    22.0300

    7.53370

    .75337

    20.5352

    23.5248

    11.00

    33.00

     

    Table 1b. ANOVA

    Tropes

    SoS

    df

    MS

    F

    Sig.

    Between Groups

    864.644

    5

    172.929

    3.419

    .007

    Within Groups

    4754.266

    94

    50.577

     

     

    Total

    5618.910

    99

     

     

     

     

    Table 1c. Dependent Variable:Tropes 

    Tukey HSD

    (I) Day of Week

    (J) Day of Week

    MD (I-J)

    Std. Error

    Sig.

    95% CI

    LB

    UB

    Sunday

    Monday

    2.17778

    3.39417

    .987

    -7.6970

    12.0526

    Tuesday

    -.42143

    3.45279

    1.000

    -10.4668

    9.6239

    Wednesday

    -11.60000

    5.19370

    .233

    -26.7103

    3.5103

    Thursday

    -3.12632

    3.57455

    .952

    -13.5259

    7.2733

    Friday

    -3.93333

    3.96676

    .920

    -15.4740

    7.6073

    Monday

    Sunday

    -2.17778

    3.39417

    .987

    -12.0526

    7.6970

    Tuesday

    -2.59921

    1.79200

    .696

    -7.8127

    2.6143

    Wednesday

    -13.77778*

    4.27364

    .021

    -26.2113

    -1.3443

    Thursday

    -5.30409

    2.01665

    .100

    -11.1712

    .5630

    Friday

    -6.11111

    2.65040

    .202

    -13.8220

    1.5998

    Tuesday

    Sunday

    .42143

    3.45279

    1.000

    -9.6239

    10.4668

    Monday

    2.59921

    1.79200

    .696

    -2.6143

    7.8127

    Wednesday

    -11.17857

    4.32035

    .111

    -23.7480

    1.3908

    Thursday

    -2.70489

    2.11383

    .795

    -8.8548

    3.4450

    Friday

    -3.51190

    2.72507

    .790

    -11.4401

    4.4163

    Wednesday

    Sunday

    11.60000

    5.19370

    .233

    -3.5103

    26.7103

    Monday

    13.77778*

    4.27364

    .021

    1.3443

    26.2113

    Tuesday

    11.17857

    4.32035

    .111

    -1.3908

    23.7480

    Thursday

    8.47368

    4.41826

    .398

    -4.3806

    21.3279

    Friday

    7.66667

    4.74118

    .589

    -6.1271

    21.4604

    Thursday

    Sunday

    3.12632

    3.57455

    .952

    -7.2733

    13.5259

    Monday

    5.30409

    2.01665

    .100

    -.5630

    11.1712

    Tuesday

    2.70489

    2.11383

    .795

    -3.4450

    8.8548

    Wednesday

    -8.47368

    4.41826

    .398

    -21.3279

    4.3806

    Friday

    -.80702

    2.87779

    1.000

    -9.1795

    7.5655

    Friday

    Sunday

    3.93333

    3.96676

    .920

    -7.6073

    15.4740

    Monday

    6.11111

    2.65040

    .202

    -1.5998

    13.8220

    Tuesday

    3.51190

    2.72507

    .790

    -4.4163

    11.4401

    Wednesday

    -7.66667

    4.74118

    .589

    -21.4604

    6.1271

    Thursday

    .80702

    2.87779

    1.000

    -7.5655

    9.1795

     


    Table 1 reports the findings of ANOVA to examine the effect of day of Talk Show on program’s tropes which were categorized into six groups regarding days (Group 1: Sunday; Group 2: Monday; Group 3: Tuesday; Group 4: Wednesday; Group 5: Thursday; Group 6: Friday). In view of Talk Shows broadcast by TV channels in Pakistan, the statistical variance at p < .05 was observed: F (5,94) = 3.419, p = 007. The significant gap in the mean scores between the groups was strong given their statistical importance. Calculated with eta squared, the impact size was .15. The statistical difference at p < .05 was witnessed in tropes of Talk Shows shown by TV Channels in Pakistan: F (5, 94) = 3.419, p = .007. Despite reaching statistical significance, the actual difference in the mean scores between the groups was high. The effect size, calculated using eta squared, was .15. Post-hoc comparisons using Tukey HSD test indicated that the mean score for Group 4 (M =33.00, SD = .000) was significantly different from Group 2 (M = 19.22, SD = 7.29). The table explains that days of week in which talk shows shown on TV channels extremely caused effect on Talk Shows’ tropes. Those Talk Shows which were shown on Wednesday had the strongest tendencies of Political Skepticism as compared to talk shows shown on Monday, which had the strongest tendencies of Political Engagement.


     

    Table 2. Impact of Program on the Stance of Talks Shows on Pakistani TV Channels

     

    N

    Mean

    Std. Deviation

    Std. Error

    95% CI for Mean

    Minimum

    Maximum

    LB

    UB

    Capital Talk

    10

    28.1000

    2.60128

    .82260

    26.2392

    29.9608

    25.00

    33.00

    Off the Record

    10

    21.5000

    3.47211

    1.09798

    19.0162

    23.9838

    16.00

    28.00

    The Reporters

    10

    12.0000

    1.15470

    .36515

    11.1740

    12.8260

    11.00

    14.00

    On the Front

    10

    16.4000

    6.09554

    1.92758

    12.0395

    20.7605

    11.00

    28.00

    Nadeem Malik Live

    10

    12.1000

    1.91195

    .60461

    10.7323

    13.4677

    11.00

    16.00

    Hasb-e-Haal

    10

    27.0000

    4.61880

    1.46059

    23.6959

    30.3041

    17.00

    33.00

    Mazak Raat

    10

    22.2000

    6.05163

    1.91369

    17.8709

    26.5291

    15.00

    33.00

    Khabarnaak

    10

    24.6000

    4.24788

    1.34330

    21.5613

    27.6387

    15.00

    28.00

    Khabardar

    10

    25.8000

    7.03641

    2.22511

    20.7665

    30.8335

    15.00

    33.00

    Siasi Theatre

    10

    30.6000

    2.79682

    .88443

    28.5993

    32.6007

    26.00

    33.00

    Total

    100

    22.0300

    7.53370

    .75337

    20.5352

    23.5248

    11.00

    33.00

     

    Table 2b. ANOVA

    Tropes

    SoS

    df

    MS

    F

    Sig.

    Between Groups

    3870.210

    9

    430.023

    22.132

    .000

    Within Groups

    1748.700

    90

    19.430

     

     

    Total

    5618.910

    99

     

     

     

     

    Table 2c. Dependent Variable:   Tropes 

    Tukey HSD 

    (I) Programs

    (J) Programs

    MD (I-J)

    Std. Error

    Sig.

    95% CI

    LB

    UB

    Capital Talk

    Off the Record

    6.60000*

    1.97129

    .037

    .2043

    12.9957

    The Reporters

    16.10000*

    1.97129

    .000

    9.7043

    22.4957

    On the Front

    11.70000*

    1.97129

    .000

    5.3043

    18.0957

    Nadeem Malik Live

    16.00000*

    1.97129

    .000

    9.6043

    22.3957

    Hasb-e-Haal

    1.10000

    1.97129

    1.000

    -5.2957

    7.4957

    Mazak Raat

    5.90000

    1.97129

    .096

    -.4957

    12.2957

    Khabarnaak

    3.50000

    1.97129

    .748

    -2.8957

    9.8957

    Khabardar

    2.30000

    1.97129

    .976

    -4.0957

    8.6957

    Siasi Theatre

    -2.50000

    1.97129

    .958

    -8.8957

    3.8957

    Off the Record

    Capital Talk

    -6.60000*

    1.97129

    .037

    -12.9957

    -.2043

    The Reporters

    9.50000*

    1.97129

    .000

    3.1043

    15.8957

    On the Front

    5.10000

    1.97129

    .239

    -1.2957

    11.4957

    Nadeem Malik Live

    9.40000*

    1.97129

    .000

    3.0043

    15.7957

    Hasb-e-Haal

    -5.50000

    1.97129

    .156

    -11.8957

    .8957

    Mazak Raat

    -.70000

    1.97129

    1.000

    -7.0957

    5.6957

    Khabarnaak

    -3.10000

    1.97129

    .858

    -9.4957

    3.2957

    Khabardar

    -4.30000

    1.97129

    .477

    -10.6957

    2.0957

    Siasi Theatre

    -9.10000*

    1.97129

    .001

    -15.4957

    -2.7043

    The Reporters

    Capital Talk

    -16.10000*

    1.97129

    .000

    -22.4957

    -9.7043

    Off the Record

    -9.50000*

    1.97129

    .000

    -15.8957

    -3.1043

    On the Front

    -4.40000

    1.97129

    .443

    -10.7957

    1.9957

    Nadeem Malik Live

    -.10000

    1.97129

    1.000

    -6.4957

    6.2957

    Hasb-e-Haal

    -15.00000*

    1.97129

    .000

    -21.3957

    -8.6043

    Mazak Raat

    -10.20000*

    1.97129

    .000

    -16.5957

    -3.8043

    Khabarnaak

    -12.60000*

    1.97129

    .000

    -18.9957

    -6.2043

    Khabardar

    -13.80000*

    1.97129

    .000

    -20.1957

    -7.4043

    Siasi Theatre

    -18.60000*

    1.97129

    .000

    -24.9957

    -12.2043

    On the Front

    Capital Talk

    -11.70000*

    1.97129

    .000

    -18.0957

    -5.3043

    Off the Record

    -5.10000

    1.97129

    .239

    -11.4957

    1.2957

    The Reporters

    4.40000

    1.97129

    .443

    -1.9957

    10.7957

    Nadeem Malik Live

    4.30000

    1.97129

    .477

    -2.0957

    10.6957

    Hasb-e-Haal

    -10.60000*

    1.97129

    .000

    -16.9957

    -4.2043

    Mazak Raat

    -5.80000

    1.97129

    .109

    -12.1957

    .5957

    Khabarnaak

    -8.20000*

    1.97129

    .003

    -14.5957

    -1.8043

    Khabardar

    -9.40000*

    1.97129

    .000

    -15.7957

    -3.0043

    Siasi Theatre

    -14.20000*

    1.97129

    .000

    -20.5957

    -7.8043

    Nadeem Malik Live

    Capital Talk

    -16.00000*

    1.97129

    .000

    -22.3957

    -9.6043

    Off the Record

    -9.40000*

    1.97129

    .000

    -15.7957

    -3.0043

    The Reporters

    .10000

    1.97129

    1.000

    -6.2957

    6.4957

    On the Front

    -4.30000

    1.97129

    .477

    -10.6957

    2.0957

    Hasb-e-Haal

    -14.90000*

    1.97129

    .000

    -21.2957

    -8.5043

    Mazak Raat

    -10.10000*

    1.97129

    .000

    -16.4957

    -3.7043

    Khabarnaak

    -12.50000*

    1.97129

    .000

    -18.8957

    -6.1043

    Khabardar

    -13.70000*

    1.97129

    .000

    -20.0957

    -7.3043

    Siasi Theatre

    -18.50000*

    1.97129

    .000

    -24.8957

    -12.1043

    Hasb-e-Haal

    Capital Talk

    -1.10000

    1.97129

    1.000

    -7.4957

    5.2957

    Off the Record

    5.50000

    1.97129

    .156

    -.8957

    11.8957

    The Reporters

    15.00000*

    1.97129

    .000

    8.6043

    21.3957

    On the Front

    10.60000*

    1.97129

    .000

    4.2043

    16.9957

    Nadeem Malik Live

    14.90000*

    1.97129

    .000

    8.5043

    21.2957

    Mazak Raat

    4.80000

    1.97129

    .318

    -1.5957

    11.1957

    Khabarnaak

    2.40000

    1.97129

    .968

    -3.9957

    8.7957

    Khabardar

    1.20000

    1.97129

    1.000

    -5.1957

    7.5957

    Siasi Theatre

    -3.60000

    1.97129

    .717

    -9.9957

    2.7957

    Mazzak Raat

    Capital Talk

    -5.90000

    1.97129

    .096

    -12.2957

    .4957

    Off the Record

    .70000

    1.97129

    1.000

    -5.6957

    7.0957

    The Reporters

    10.20000*

    1.97129

    .000

    3.8043

    16.5957

    On the Front

    5.80000

    1.97129

    .109

    -.5957

    12.1957

    Nadeem Malik Live

    10.10000*

    1.97129

    .000

    3.7043

    16.4957

    Hasb-e-Haal

    -4.80000

    1.97129

    .318

    -11.1957

    1.5957

    Khabarnaak

    -2.40000

    1.97129

    .968

    -8.7957

    3.9957

    Khabardar

    -3.60000

    1.97129

    .717

    -9.9957

    2.7957

    Siasi Theatre

    -8.40000*

    1.97129

    .002

    -14.7957

    -2.0043

    Khabarnaak

    Capital Talk

    -3.50000

    1.97129

    .748

    -9.8957

    2.8957

    Off the Record

    3.10000

    1.97129

    .858

    -3.2957

    9.4957

    The Reporters

    12.60000*

    1.97129

    .000

    6.2043

    18.9957

    On the Front

    8.20000*

    1.97129

    .003

    1.8043

    14.5957

    Nadeem Malik Live

    12.50000*

    1.97129

    .000

    6.1043

    18.8957

    Hasb-e-Haal

    -2.40000

    1.97129

    .968

    -8.7957

    3.9957

    Mazak Raat

    2.40000

    1.97129

    .968

    -3.9957

    8.7957

    Khabardar

    -1.20000

    1.97129

    1.000

    -7.5957

    5.1957

    Siasi Theatre

    -6.00000

    1.97129

    .085

    -12.3957

    .3957

    Khabardar

    Capital Talk

    -2.30000

    1.97129

    .976

    -8.6957

    4.0957

    Off the Record

    4.30000

    1.97129

    .477

    -2.0957

    10.6957

    The Reporters

    13.80000*

    1.97129

    .000

    7.4043

    20.1957

    On the Front

    9.40000*

    1.97129

    .000

    3.0043

    15.7957

    Nadeem Malik Live

    13.70000*

    1.97129

    .000

    7.3043

    20.0957

    Hasb-e-Haal

    -1.20000

    1.97129

    1.000

    -7.5957

    5.1957

    Mazak Raat

    3.60000

    1.97129

    .717

    -2.7957

    9.9957

    Khabarnaak

    1.20000

    1.97129

    1.000

    -5.1957

    7.5957

    Siasi Theatre

    -4.80000

    1.97129

    .318

    -11.1957

    1.5957

    Siasi Theatre

    Capital Talk

    2.50000

    1.97129

    .958

    -3.8957

    8.8957

    Off the Record

    9.10000*

    1.97129

    .001

    2.7043

    15.4957

    The Reporters

    18.60000*

    1.97129

    .000

    12.2043

    24.9957

    On the Front

    14.20000*

    1.97129

    .000

    7.8043

    20.5957

    Nadeem Malik Live

    18.50000*

    1.97129

    .000

    12.1043

    24.8957

    Hasb-e-Haal

    3.60000

    1.97129

    .717

    -2.7957

    9.9957

    Mazak Raat

    8.40000*

    1.97129

    .002

    2.0043

    14.7957

    Khabarnaak

    6.00000

    1.97129

    .085

    -.3957

    12.3957

    Khabardar

    4.80000

    1.97129

    .318

    -1.5957

    11.1957

     


    Table 2 reports the findings of ANOVA to examine the effect of Talk Show on program’s tropes which were categorized into ten groups regarding Talk Shows (Group 1: Capital Talk; Group 2: Off the Record; Group 3: The Reporters; Group 4: On the Front; Group 5: Nadeem Malik Live; Group 6: Hasb-e-Haal; Group 7: Mazak Raat; Group 8: Khabarnak; Group 9: Khabardar; Group 10: Siasi Theatre). The statistical difference at p < .05 was witnessed in tropes of Talk Shows shown by TV Channels in Pakistan: F (9, 90) = 22.132, p = .000. Despite reaching statistical significance, the actual difference in the mean scores between the groups was high. The effect size, calculated using eta squared, was .68. Post-hoc comparisons using Tukey HSD test indicated that the mean score for Group 1 (M =28.10, SD = 2.60) was significantly different from Group 2 (M = 21.50, SD = 3.47), Group 3 (M = 12.00, SD = 1.15), Group 4 (M = 16.40, SD = 6.10), Group 5 (M = 12.10, SD = 1.91). The table explains that Capital Talk mostly presented the tropes of Political Skepticism as compared to Off the Record, The Reporters, On the Front, Nadeem Malik Live. The Talk Shows; Off the Record, The Reporters, On the Front, Nadeem Malik Live presented the tropes of Political Engagement.  Group 2 (M = 21.50, SD = 3.47) was significantly different from Group 3 (M = 12.00, SD = 1.15) and Group 5 (M = 12.10, SD = 1.91). The table explains that Off the Record less presented the tropes of Political Engagement as compared to The Reporters and Nadeem Malik Live. Group 6 (M = 27.00, SD = 4.69) was significantly different from Group 3 (M = 12.00, SD = 1.15), Group 4 (M = 16.40, SD = 6.10) and Group 5 (M = 12.10, SD = 1.91).

    The table explains that Hasb-e-Haal mostly presented the tropes of Political Skepticism as compared to The Reporters, On the Front, Nadeem Malik Live, which were aligned to Political Engagement. Group 7 (M = 22.20, SD = 6.05) was significantly different from Group 3 (M = 12.00, SD = 1.15) and Group 5 (M = 12.10, SD = 1.91). The table explains that Mazak Raat slightly presented the tropes of Political Skepticism as compared to The Reporters and Nadeem Malik Live, which were associated to Political Engagement. Group 8 (M = 24.60, SD = 4.25) was significantly different from Group 3 (M = 12.00, SD = 1.15), Group 4 (M = 16.40, SD = 6.10) and Group 5 (M = 12.10, SD = 1.91).

    The table explains that Khabarnaak moderately presented the tropes of Political Skepticism as compared to The Reporters, On the Front, and Nadeem Malik Live were which associated with Political Engagement. Group 9 (M = 25.80, SD = 7.04) was significantly different from Group 3 (M = 12.00, SD = 1.15), Group 4 (M = 16.40, SD = 6.10) and Group 5 (M = 12.10, SD = 1.91). The table explains that Khabardar moderately presented the tropes of Political Skepticism as compared to The Reporters, On the Front, and Nadeem Malik Live were which associated with Political Engagement. Group 10 (M = 30.60, SD = 2.80) was significantly different from Group 2 (M = 21.50, SD = 3.47),  Group 3 (M = 12.00, SD = 1.15), Group 4 (M = 16.40, SD = 6.10), Group 5 (M = 12.10, SD = 1.91) and Group 7 (M = 22.20, SD = 6.05). The table explains that Siasi Theatre mostly presented the tropes of Political Skepticism as compared to The Reporters, On the Front, and Nadeem Malik Live were which are associated to Political Engagement. The program Siasi Theatre was also significantly different from Mazak Raat, which slightly presented the tropes of Political Skepticism.


     

    Table 3. Impact of Impact of Genre on the Stance of Talks Shows on Pakistani TV Channels

     

    Genre

    N

    Mean

    Std. Deviation

    Std. Error Mean

    Tropes

    Serious

    50

    18.0200

    7.03487

    .99488

    Comedy

    50

    26.0400

    5.68909

    .80456

     

    Table 3b. Independent Samples Test

     

    Levene’s Test for Equality of Variances

    t-test for Equality of Means

     

    F

    Sig.

    t

    df

    Sig.

    (2-tailed)

    Tropes

    Equal variances assumed

    6.407

    .013

    -6.268

    98

    .000

    Equal variances not assumed

     

     

    -6.268

    93.891

    .000

     

    Table 3c. Independent Samples Test

     

    t-test for Equality of Means

    MD

    Std. Error Difference

    95% CI of the Difference

    Lower

    Upper

    Tropes

    Equal variances assumed

    -8.02000

    1.27949

    -10.55911

    -5.48089

    Equal variances not assumed

    -8.02000

    1.27949

    -10.56050

    -5.47950

     


    Table 3 reports that an independent-samples t-test was conducted to compare the scores of tropes in students on nature of talk shows. There was significance difference of scores of tropes of talk shows for Serious Talk Shows (M = 18.02, SD = 7.03) and Comedy Talk Shows, M = 26.04, SD = 5.69; t (93.891) = -6.268, p = .000 (two-tailed). The magnitude of the difference in the means (mean difference = -8.02000, 95 % CI: -10.56050 to -5.47950) was medium (eta squared = .07). The table explains that Comedy Talk Shows presented mostly tropes of Political Skepticism as compared to Serious Talk Show which were mostly aligned to Political Engagement.


    Table 4. Impact of Duration of Program on the Stance of Talks Shows on Pakistani TV Channels

     

    N

    Mean

    Std. Deviation

    Std. Error

    95% CI for Mean

    Minimum

    Maximum

    LB

    UB

    21-30 minutes

    16

    26.2500

    7.04746

    1.76186

    22.4947

    30.0053

    13.00

    33.00

    31-40minutes

    71

    22.0000

    7.18729

    .85297

    20.2988

    23.7012

    11.00

    33.00

    more than 40 minutes

    13

    17.0000

    7.32575

    2.03180

    12.5731

    21.4269

    11.00

    29.00

    Total

    100

    22.0300

    7.53370

    .75337

    20.5352

    23.5248

    11.00

    33.00

     

    Table 4b. ANOVA

    Tropes

    SoS

    df

    MS

    F

    Sig.

    Between Groups

    613.910

    2

    306.955

    5.949

    .004

    Within Groups

    5005.000

    97

    51.598

     

     

    Total

    5618.910

    99

     

     

     

     

    Table 4c. Post Hoc Tests

    Dependent Variable:   Tropes 

    Tukey HSD 

    (I) Duration_of_Progrm

    (J) Duration_of_Progrm

    MD (I-J)

    Std. Error

    Sig.

    95% CI

    LB

    UB

    21-30 minutes

    31-40minutes

    4.25000

    1.98786

    .088

    -.4816

    8.9816

    more than 40 minutes

    9.25000*

    2.68215

    .002

    2.8659

    15.6341

    31-40minutes

    21-30 minutes

    -4.25000

    1.98786

    .088

    -8.9816

    .4816

    more than 40 minutes

    5.00000

    2.16698

    .059

    -.1579

    10.1579

    more than 40 minutes

    21-30 minutes

    -9.25000*

    2.68215

    .002

    -15.6341

    -2.8659

    31-40minutes

    -5.00000

    2.16698

    .059

    -10.1579

    .1579

     


    Table 4 reports the findings of ANOVA to examine the effect of Program’s Timings on Talk Show’s tropes which were categorized into three groups based on timings (Group 1: 21-30 minutes; Group 2: 31-40 minutes; Group 3: more than 40 minutes). The statistical difference at p < .05 was witnessed in tropes of Talk Shows shown by TV Channels in Pakistan due to the program's timings: F (2, 97) = 5.949, p = .004. Despite reaching statistical significance, the actual difference in the mean scores between the groups was medium. The effect size, calculated using eta squared, was .10. Post-hoc comparisons using Tukey HSD test indicated that the mean score for Group 1 (M =26.25, SD = 7.05) was significantly different from Group 3 (M = 17.00, SD = 7.33). The table explains that talk shows 21-30 minutes duration had more tendencies of Political Skepticism as compared talk shows having the duration of more than 40 minutes. The Talk Shows more than 40 minutes duration had more tendencies of Political Engagement

    The findings of the study strongly approve the research hypothesis, H1: Comedy Talk Shows have many tropes of political Skepticism as compared to Political Engagement on Pakistani TV Channels.

    The study pledges that days of the week on which talk shows are broadcast on television networks have had a significant impact on the tropes of Talk Shows. Those Talk Shows seen on Wednesday have the strongest political skepticism leanings compared to Monday's talk shows with the strongest political engagement tendencies. Capital Talk on Geo News mostly addressed the tropes of political skepticism as opposed to Nadeem Malik Live on Samma.

    Mazzaq Raat on Express news often portrayed the stereotypes of political skepticism in comedy Talk Shows as opposed to other comedy talk shows.

    The present study acknowledges past studies of Bennet (2003) and Hart (2000) that the Comedy Talk Shows presented mostly tropes of Political Skepticism as compared to Serious Talk Show which is mostly aligned to Political Engagement. The finding supports the past studies who claim that Serious Talk Shows enhance Political Engagement (Jones, 2005; McClintock, 2004; Paletz, 2002; Van Zoonen; 2005).

    Conclusion

    The study concludes that the presentation of issues in the talks shows determines viewers' perceptions. The research recognizes that 21-30 minutes long TV talk shows have more political skepticism propensities, while the TVtalk shows of more than 40-minutes duration have more political engagement dispositions. The study also concludes that comedy talk shows presented on Pakistani TV channels are displaying the tropes of political skepticism, while serious talk shows are exhibiting the tropes of political engagement. The research clarifies that there are several tendencies of political skepticism among the audiences of comedy talk shows and that consumers of serious talk shows have greater tendencies of political engagement. So, it can be inferred that serious talk shows enhance Pakistan's political culture as compared to comedy talk shows.

    Appendix

    Appendix A: Coding Sheet for Content Analysis of TV Talk Shows

    Date of coding: ___________________ Name of coder: _______________________

    Sampling information [ID#: _____] Aired: Month: __ __ Date: __ __ Year: _ _ _ _

    1-Day of week:

    (1.) Sunday _____ [1] (2.) Monday _____ [2] (3.) Tuesday _____ [3] (4.) Wednesday _____ [4]

    (5.) Thursday _____ [5] (6.) Friday _____ [6] (7.) Saturday _____ [7]

    2- GENRE: (Serious, Comedy)

    3. Duration of program? _____ [1] 30 minutes_____ [2] One hour_____ [3] 90 minutes

    _____ [4] Two hours _____ [5] Other (How long in minutes? __ __ __)

     

    4. Tropes of Political Engagement vs. Political Skepticism

    Political Engagement

     

     

     

     

     

     

     

    Political Skepticism

    a)

    Straight Forward

    Complicated

    b)

    Simple to comprehend

    Difficult to comprehend

    c)

    Understanding of the Political Issue

    Misunderstanding of the Political Issue

    d)

    Given solution of the problem

    Given no solution of the problem

    e)

    Public officials care much

    Public officials care less

    f)

    Public officials have pretty touch with the public

    Public officials lose touch with the public

    g)

    Politicians care public opinion

    Politician do not care public opinion

    h)

    Politician are interested in public problems

    Politician are interested in public votes

    i)

    Politicians are servants of public

    Politicians are masters of public

    J)

    Whoever gets elected does whatever people want to do

    Whoever gets elected does whatever he/she wants to do anyway

    k)

    Public have the political power

    A few people have all the political power

References

  • Abelman, R. (1994). News on The 700 Club: The cycle of religious activism. Journalism Quarterly, 71, 887-892.

Cite this article

    CHICAGO : Haroon, Sana, and Noshina Saleem. 2021. "TV Talk Shows in Pakistan: Politically Engaged or Politically Skeptic?." Global Digital & Print Media Review, IV (IV): 24-39 doi: 10.31703/gdpmr.2021(IV-IV).03
    HARVARD : HAROON, S. & SALEEM, N. 2021. TV Talk Shows in Pakistan: Politically Engaged or Politically Skeptic?. Global Digital & Print Media Review, IV, 24-39.
    MHRA : Haroon, Sana, and Noshina Saleem. 2021. "TV Talk Shows in Pakistan: Politically Engaged or Politically Skeptic?." Global Digital & Print Media Review, IV: 24-39
    MLA : Haroon, Sana, and Noshina Saleem. "TV Talk Shows in Pakistan: Politically Engaged or Politically Skeptic?." Global Digital & Print Media Review, IV.IV (2021): 24-39 Print.
    OXFORD : Haroon, Sana and Saleem, Noshina (2021), "TV Talk Shows in Pakistan: Politically Engaged or Politically Skeptic?", Global Digital & Print Media Review, IV (IV), 24-39
    TURABIAN : Haroon, Sana, and Noshina Saleem. "TV Talk Shows in Pakistan: Politically Engaged or Politically Skeptic?." Global Digital & Print Media Review IV, no. IV (2021): 24-39. https://doi.org/10.31703/gdpmr.2021(IV-IV).03