Abstract
The present research explores the political content of TV talk shows under the theoretical frameworks of framing and cultivation analysis. The content analysis of systematically selected 100 programs of five top rated serious and five comedy talk shows broadcast on Pakistani TV Channels during October-December 2019 were analyzed to detect the tropes of political engagement and political skepticism. The research established that days of the week, duration of the program, and the program's genre influenced the tropes of programs. The research concludes that serious talk shows contributed to political engagement, whereas comedy talk shows created more politically skeptical tropes.
Key Words
TV Talk Shows, Political Engagement, Political Skepticism, Content Analysis
Introduction
The literature investigates the conflicting findings of previous studies on TV talk shows. According to the researchers, these talk shows increase both political engagement (Jones, 2005; McClintock, 2004; Paletz, 2002; Van Zoonen, 2005) and political skepticism (Bennet, 2003; Hart, 2000). So far, no study in media research has investigated the tropes of political engagement and political skepticism by analyzing or reconnoitering serious as well as comedy TV talk shows over a single time span. The current study is aimed at the locus described above and attempts to fill a gap in research on TV talk shows in this area.
In recent times, the popularity of TV talk shows has become well-established in Pakistan. People watch these programs to be informed by current happenings in Pakistan as well as around the globe. These programs discuss political, social, and religious issues on national and international scales, and they provide food for thought to their audiences. Tariq (2005), in his research has mentioned that the "creation and dissemination" of political news [talk] has always been the key element of Pakistani mass media, and as the result, it takes almost a lion's share of Pakistani media contents, leaving people been addicted to it. The mass media presents different stories, talk shows, and news regarding the political system and changes the views and perception of the public through its content. People are largely affected by the news and political talk shows. As Bilal et al. (2012) has pointed out that these shows helped in promoting participatory politics, revamp trust and hope in politics, and developing the democratic process. Therefore, the present research encompasses the TV talk shows to present the relationship between talk shows and political engagement and furthermore presents the relationship between these talk shows and political skepticism.
The appearance of TV talk shows in Pakistan materialized in the late 1960s when talk shows were started in 1969 on Pakistan Television (PTV) from Islamabad, capital of Pakistan. Historically, the genre of these talk shows was serious and satirical in its gist. Later, serious talk shows on PTV exchanged by comedy talk shows like Show Time, Studio Dhai, Studio Poney Teen, Yes Sir No Sir, Loose Talk, Moin Akhtar Show, etc. Besides, the format of these programs was also changed, the essential elements of the audience was excluded in these talks shows, but they also got popularity in their times.
After the emergence of Private TV Channels in Pakistan in the 2000s, viewers were introduced to some talk shows like 50 minutes by Abdul Rauf on Geo News, a Private TV channel. The element of the audience was again included. That program also got high viewership. Other private and public channels started different talk shows with the same format, but the element of the audience is extricated from these talk shows to some extent now. Even then, these shows have been successful in maintaining their popularity. In these talk shows, whether serious or comedy, viewers find the content quite thoughtful. From providing the analysis or entertainment to their viewers, they also provide the words for discussion to their viewers in their daily lives. On the level of format, these shows can be categorized as discussion shows or current affairs programs because the essential item, i.e., 'audience', are excluded from these shows.
On the other side, comedy talk shows started on private TV channels like "Hasb-e-Haal" on Dunya News TV Channel in January 2009. It is followed by "Khabarnak" on Geo News in 2010, Khabardar on Express News in 2015, and Khabarzar on Aap News in 2018, in all these programs, we can observe the segment of the audience. Although the audience is shown, their participation in the program is minimal or sometimes on ‘zero level’. Therefore, the researcher intends to focus only on the content of these programs.
Political Engagement Versus Political Skepticism
Political engagement is the opposite of political skepticism. Political skepticism is also relevant for an improved understanding of political engagement. Therefore, the present research explores the tropes of political engagement as well as political skepticism in the TV Talk shows broadcast on Pakistani TV channels. Critical comment has long suggested that the media contributes negatively to the political debate and cause, resulting in a cynical audience. Some even have said, "Television gives us a feeling of political ill" (Hart, 1999; Postman, 1985; Putnam, 1995). Early tests showed that consumption of the television news led to suspicion, inefficiency, and skepticism (Robinson,1976), but Miller and Reese (1982) found that media dependency helped to build a sense of effectiveness and politics. It is understandable that this contradiction persists in the assessment of media content.
The negative political humor in comedy shows can contribute to skepticism, and political skepticism may also be the result of the program's structural limitations. Scholars remember that hosts generally have minimal knowledge about public relations, candidates' softball concerns, and programs make appeals to reach a wider audience (Depke, 1992; Hollander, 1996). Though comedy talks show mainly aim at highlighting those in the entertainment industry, they also point humorous criticism on politicians, political campaigns, and jokes monologue proposals. Public satire shows often deliver policy and political critiques, and hosts are often engaged in satirical political commentary with actors, authors, and musicians as allies. It is of interest that political knowledge can be gained by looking at these modern media content or shows.
The tendency of inconsistency is also observed in the findings of past studies of TV Talk shows. Khan (2013) conducted research on "Talk shows" and concluded that talk shows inject harmful ideas into people's lives. "The level of interests in television channels and their impact on the personal aspirations of young people" have been carried out by Aleena (2006). The research concluded that the higher the level of interest in TV shows, the greater the effect on viewer's personal expectations. The role of talk shows in raising consciousness, and political norms is addressed by Naz et al, (2014). The study shows that talk shows, in particular, not only increase political consciousness but also confusion. In his article, Ahmad (2016) noted that political talk shows have a strong impact on youth in terms of political performance.
A lot of work has been done into the democratic impact of political comedy programs (Baumgartner & Morris, 2006; 2008; Xenos & Becker, 2009; LaMarre, Landreville, & Spotlight, 2008). Moy et al. (2005) found that a nominee can be judged in the mind of a person when that nominee is present in a comedy show. Becker (2012) found, after exposure to satirical jokes the audiences develop negative feelings towards satirized politicians. The economy, politics, and popular perception of comedy are said to be influenced. Nadeem et al. (2012) argued that numerous television talk shows impact a huge community with fun and light parodies. Zooren et al. (2009) talk about comedy talk shows and political types of performers. The researchers concluded that comedy TV talk shows not only provide entertainment but also provide receptive voters to their representatives and the political system.
Political Information and Democratic Processes
Political engagement of citizens in a political system strengthens the democratic process. Weakened political engagement leads to political skepticism and gripes democracy in any society. Political information from media to citizens enhances democratic norms and values. Scholars have recommended that getting political information from television instills citizens to participate actively and competently for better functioning of democracy (Hart, 1999; Postman, 1985; Putman, 2000; Schudson, 1997). Apropos, to sustain a healthy and flourishing democracy, citizens must know about political happenings and actively create, communicate and participate in a political community. Otherwise, there will be the risk of low voter turn-out (Casper & Bass, 1998; Waldman, 2001), and citizen who vote will be mostly uninformed when they approach polls (Converse, 1974; Delli Carpini & Keeter, 1991), resulting in the wrong selection of candidates in elections. Therefore, it is pertinent to come to the true significance of TV talk shows and their impact on the citizens to predict the prospect of democracy in Pakistan.
The following hypothesis is also going to be tested to infer the empirical evidence to predict the engrossment of Talk Shows in the democratic process of Pakistan.
H1: Comedy Talk Shows have many tropes of political Skepticism as compared to Political Engagement on Pakistani TV Channels
Political Nature of TV Talk Shows
The political nature of television talk shows is more likely to impact some viewers than others (Baum, 2002a; Cooper & Bates, 2003; Young, 2003). Viewers with lesser interest and understanding would be more influenced by political satire as they are amused by the content of comedy. Viewers with less experience in politics are less likely to vote against messages incompatible with their perceptions or best interests (Baum, 2002b).
The critical problem for Gerbner was that TV succeeded so well in shaping the social reality that popular opinion grew to "uniform stereotypes, exploitable fears and resistance to substantive change" (1969, p.178). There has also been criticism of the ideas of uniform messages and non-selective viewing. As originally stated, the theory of culture suggested that, based on the narrative constructs of broadcasting, the world on TV was identical across the programs, uniting a cultured TV reality (Gerbner, 1969; Gerbner, Gross, Morgan, & Signorielli, 1994).
Many studies of cultivation (Morgan & Shanahan, 1997) have provided evidence of a small but persistent relationship between television viewing and beliefs about the social world that is similar to or plausibly implied by the images shown in television programs. Nonetheless, it is still unclear how this process occurs. Shrurn and O'Guinn offer one possibility based on the 'bin model' of memory (Wyer & Srull, 1989). This model suggests that the human memory resembles a file cabinet. When new information about a topic is acquired, a copy of that information is placed at the front of the file. If asked to make a judgment about a particular topic, a person will use the information which is most accessible. Two factors, among others, contribute to the greater accessibility of information: frequent and recent. When a person retrieves information about the topic, the contents of the file are searched from the front to the back. Thus, information that has frequently been repeated and recently acquired has the best chance of being remembered. A person who regularly watches a large amount of television programming that presents a consistent view of a topic might group many television images at the beginning of the file. When asked to make a judgment about social reality, these images may be the most accessible. Consequently, the person might base his or her judgment of social reality on them. Therefore, the present study will be based on the bin model of memory presented by Wyer and Srull (1989). The present study assists the media industry in designing and producing better programs to support the democratic system, political processes and to attract more young audiences.
Methods
The present research applied content analysis to analyze the content of TV talk shows of Pakistani channels. According to Weber (1990), content analysis is a “research method that uses a set of procedures to make valid inferences from text” (p.9). This concise definition captures the essence of content analysis very well, although it may be worth adding that text is not the only content that might be ‘subjected to analysis’. (Transcripts of) oral communications, as well as visual communications, could also be subjected to this type of analysis. This study, however, limits its scope to the content analysis of verbal communication of the host and the guests in TV talk shows.
Holsti (1969) defines content analysis as beyond making valid inferences from text, most content analysis “seeks to quantify content in terms of predetermined categories and in a systematic and replicable manner” (p.14.). In other words, content analysis endeavors to analyze text in a systematic, empirical manner that is made sufficiently explicit to permit replication. Generally, this means that content analysis proceeds based on instructions that enumerate explicit categories. Consequently, Babbie (2004) has described content analysis as “essentially a coding operation” (p. 318).
Therefore, in the present research, content analysis technique was used to detect the tropes of political engagement and political skepticism in five top rated serious as well as five comedy TV talk shows in Pakistan. The top-rated five serious talk shows based on viewership rated by Media Logic Pakistan (2018): (1-Program: Capital Talk,Host: Hamid Mir, TV: Channel: Geo News), (2-Program: Off the Record, Host: Kashif Abbassi, TV: Channel: ARY News), (3-Program: The Reporters, Host: Ehtisham Ameer, TV: Channel: ARY News), (4-Program: On the front with Kamran Shahid, Host: Kamran Shahid, TV: Channel: Dunya News) and (5-Program: Nadeem Malik Live, Host: Nadeem Malik, TV: Channel: SAAMA News). The top-rated five comedy talk shows based on viewership rated by Media Logic Pakistan (2018): (1-Program: Hasb e Haal, Host: Junaid Saleem, Sohail Ahmed, TV: Channel: Dunya News), (2-Program: Mazaaq Raat, Host: Vasay Chaudhry, TV: Channel: Dunya News), (3-Program: Khabadar Naqalo say hoshiaayar, Host: Aftab Iqbal, TV: Channel: Express-News), (4-Program: Khabar Naak, Host: Ayesha Jahanzeib, TV: Channel: Geo News) and (5-Program: Siasi Theatre, Host: Syed Wasi Shah, TV: Channel: Express-News).
In the study of Abelman (1994), the episode is the sampling unit, Abelman randomly selected 30 episodes between February and April 1992. Douglas and Olson (1995) used content analysis in their experimental study, in their study 308, students saw episodes from 13 television comedies and filled up the questionnaire. Harmon (1989), and Carrol (1989) used purposive sampling technique to analyze the content of the program. Greenberg et al. (1997) took 10 episodes of each program in their study. Therefore, in the present study, every episode of the program was the sampling unit, and 10 episodes of each program were randomly selected from October 2019 to December 2019. The sample size for content analysis was 100 TV talk shows for the present study. The days of week, program, genre and duration of program were taken as independent variables for the present study
For coding the data, according to coding protocol, five students having their M. Phil degrees in the discipline of Mass Communication were hired. There were three sessions for training the coders. After three sessions, a chunk of two programs (one serious and one comedy) was given to each coder to fill the coding sheet (see Appendix A). The inter-coder reliability was 95% in the present research. For inter-coder reliability, the modified version of Holsti's Scot's pi as applied by Shrikhande (2003) in her study was adopted in present research;
The coefficient is calculated as:
Percent of agreement = Total correct – Total incorrect/ Total number measured = 877-23/900=.95. The inter-coder reliability is 95% in the present research. After getting the inter-coder reliability, each student coded the 20 episodes (10 serious talk shows and ten comedy talk shows).
A seven-point 11-item semantic scale was constructed to measure the program's tropes (Political Engagement and Political Skepticism). Then scores of items from point 1 to point three merged into a single category, so in the case of point 5 to point seven merged into the category of 3. Whereas, neutral score on point 4 is taken as neutral category 2. Therefore, every program that got 22 score on semantic scale was considered a neutral program. Every program having less than 22 scores was considered politically engaging, and every program having more than 22 scores on semantic score was considered politically skeptical.
Findings and Discussion
Table 1. Impact of Days of Week on the Stance
of Talks Shows on Pakistani TV Channels
|
N |
M |
SD |
SE |
95%
CIM |
Minimum |
Maximum |
|
LB |
UB |
|||||||
Sunday |
5 |
21.4000 |
8.61974 |
3.85487 |
10.6972 |
32.1028 |
11.00 |
28.00 |
Monday |
36 |
19.2222 |
7.29035 |
1.21506 |
16.7555 |
21.6889 |
11.00 |
33.00 |
Tuesday |
28 |
21.8214 |
7.09749 |
1.34130 |
19.0693 |
24.5735 |
11.00 |
33.00 |
Wednesday |
3 |
33.0000 |
.00000 |
.00000 |
33.0000 |
33.0000 |
33.00 |
33.00 |
Thursday |
19 |
24.5263 |
6.65306 |
1.52632 |
21.3196 |
27.7330 |
11.00 |
33.00 |
Friday |
9 |
25.3333 |
7.41620 |
2.47207 |
19.6327 |
31.0339 |
15.00 |
33.00 |
Total |
100 |
22.0300 |
7.53370 |
.75337 |
20.5352 |
23.5248 |
11.00 |
33.00 |
Table 1b. ANOVA
Tropes |
SoS |
df |
MS |
F |
Sig. |
Between Groups |
864.644 |
5 |
172.929 |
3.419 |
.007 |
Within Groups |
4754.266 |
94 |
50.577 |
|
|
Total |
5618.910 |
99 |
|
|
|
Table 1c. Dependent Variable:Tropes
Tukey
HSD |
||||||
(I)
Day of Week |
(J)
Day of Week |
MD
(I-J) |
Std.
Error |
Sig. |
95%
CI |
|
LB |
UB |
|||||
Sunday |
Monday |
2.17778 |
3.39417 |
.987 |
-7.6970 |
12.0526 |
Tuesday |
-.42143 |
3.45279 |
1.000 |
-10.4668 |
9.6239 |
|
Wednesday |
-11.60000 |
5.19370 |
.233 |
-26.7103 |
3.5103 |
|
Thursday |
-3.12632 |
3.57455 |
.952 |
-13.5259 |
7.2733 |
|
Friday |
-3.93333 |
3.96676 |
.920 |
-15.4740 |
7.6073 |
|
Monday |
Sunday |
-2.17778 |
3.39417 |
.987 |
-12.0526 |
7.6970 |
Tuesday |
-2.59921 |
1.79200 |
.696 |
-7.8127 |
2.6143 |
|
Wednesday |
-13.77778* |
4.27364 |
.021 |
-26.2113 |
-1.3443 |
|
Thursday |
-5.30409 |
2.01665 |
.100 |
-11.1712 |
.5630 |
|
Friday |
-6.11111 |
2.65040 |
.202 |
-13.8220 |
1.5998 |
|
Tuesday |
Sunday |
.42143 |
3.45279 |
1.000 |
-9.6239 |
10.4668 |
Monday |
2.59921 |
1.79200 |
.696 |
-2.6143 |
7.8127 |
|
Wednesday |
-11.17857 |
4.32035 |
.111 |
-23.7480 |
1.3908 |
|
Thursday |
-2.70489 |
2.11383 |
.795 |
-8.8548 |
3.4450 |
|
Friday |
-3.51190 |
2.72507 |
.790 |
-11.4401 |
4.4163 |
|
Wednesday |
Sunday |
11.60000 |
5.19370 |
.233 |
-3.5103 |
26.7103 |
Monday |
13.77778* |
4.27364 |
.021 |
1.3443 |
26.2113 |
|
Tuesday |
11.17857 |
4.32035 |
.111 |
-1.3908 |
23.7480 |
|
Thursday |
8.47368 |
4.41826 |
.398 |
-4.3806 |
21.3279 |
|
Friday |
7.66667 |
4.74118 |
.589 |
-6.1271 |
21.4604 |
|
Thursday |
Sunday |
3.12632 |
3.57455 |
.952 |
-7.2733 |
13.5259 |
Monday |
5.30409 |
2.01665 |
.100 |
-.5630 |
11.1712 |
|
Tuesday |
2.70489 |
2.11383 |
.795 |
-3.4450 |
8.8548 |
|
Wednesday |
-8.47368 |
4.41826 |
.398 |
-21.3279 |
4.3806 |
|
Friday |
-.80702 |
2.87779 |
1.000 |
-9.1795 |
7.5655 |
|
Friday |
Sunday |
3.93333 |
3.96676 |
.920 |
-7.6073 |
15.4740 |
Monday |
6.11111 |
2.65040 |
.202 |
-1.5998 |
13.8220 |
|
Tuesday |
3.51190 |
2.72507 |
.790 |
-4.4163 |
11.4401 |
|
Wednesday |
-7.66667 |
4.74118 |
.589 |
-21.4604 |
6.1271 |
|
Thursday |
.80702 |
2.87779 |
1.000 |
-7.5655 |
9.1795 |
Table 1 reports the findings of ANOVA to examine the effect of day of Talk Show
on program’s tropes which were categorized into six groups regarding
days (Group 1: Sunday; Group 2: Monday; Group 3: Tuesday;
Group 4: Wednesday; Group 5: Thursday; Group 6: Friday). In view of Talk Shows broadcast by TV
channels in Pakistan, the statistical variance at p < .05 was observed: F
(5,94) = 3.419, p = 007. The significant gap in the mean scores between the
groups was strong given their statistical importance. Calculated with eta
squared, the impact size was .15. The statistical difference at p <
.05 was witnessed in tropes of Talk
Shows shown by TV Channels in Pakistan: F (5, 94) = 3.419, p
= .007. Despite reaching statistical significance, the actual difference in
the mean scores between the groups was high. The effect size, calculated using
eta squared, was .15. Post-hoc comparisons using Tukey HSD test indicated that
the mean score for Group 4 (M =33.00, SD = .000) was
significantly different from Group 2 (M = 19.22, SD = 7.29). The
table explains that days of week in which talk shows shown on TV channels
extremely caused effect on Talk
Shows’ tropes. Those Talk
Shows which were shown on Wednesday had the strongest
tendencies of Political Skepticism as compared to talk shows shown on Monday,
which had the strongest tendencies of Political Engagement.
Table 2. Impact of Program on the Stance of
Talks Shows on Pakistani TV Channels
|
N |
Mean |
Std. Deviation |
Std. Error |
95% CI for Mean |
Minimum |
Maximum |
|
LB |
UB |
|||||||
Capital Talk |
10 |
28.1000 |
2.60128 |
.82260 |
26.2392 |
29.9608 |
25.00 |
33.00 |
Off the Record |
10 |
21.5000 |
3.47211 |
1.09798 |
19.0162 |
23.9838 |
16.00 |
28.00 |
The Reporters |
10 |
12.0000 |
1.15470 |
.36515 |
11.1740 |
12.8260 |
11.00 |
14.00 |
On the Front |
10 |
16.4000 |
6.09554 |
1.92758 |
12.0395 |
20.7605 |
11.00 |
28.00 |
Nadeem Malik Live |
10 |
12.1000 |
1.91195 |
.60461 |
10.7323 |
13.4677 |
11.00 |
16.00 |
Hasb-e-Haal |
10 |
27.0000 |
4.61880 |
1.46059 |
23.6959 |
30.3041 |
17.00 |
33.00 |
Mazak Raat |
10 |
22.2000 |
6.05163 |
1.91369 |
17.8709 |
26.5291 |
15.00 |
33.00 |
Khabarnaak |
10 |
24.6000 |
4.24788 |
1.34330 |
21.5613 |
27.6387 |
15.00 |
28.00 |
Khabardar |
10 |
25.8000 |
7.03641 |
2.22511 |
20.7665 |
30.8335 |
15.00 |
33.00 |
Siasi Theatre |
10 |
30.6000 |
2.79682 |
.88443 |
28.5993 |
32.6007 |
26.00 |
33.00 |
Total |
100 |
22.0300 |
7.53370 |
.75337 |
20.5352 |
23.5248 |
11.00 |
33.00 |
Table 2b. ANOVA
Tropes |
SoS |
df |
MS |
F |
Sig. |
Between
Groups |
3870.210 |
9 |
430.023 |
22.132 |
.000 |
Within
Groups |
1748.700 |
90 |
19.430 |
|
|
Total |
5618.910 |
99 |
|
|
|
Table 2c. Dependent Variable: Tropes
Tukey HSD |
||||||
(I) Programs |
(J) Programs |
MD (I-J) |
Std. Error |
Sig. |
95% CI |
|
LB |
UB |
|||||
Capital Talk |
Off the Record |
6.60000* |
1.97129 |
.037 |
.2043 |
12.9957 |
The Reporters |
16.10000* |
1.97129 |
.000 |
9.7043 |
22.4957 |
|
On the Front |
11.70000* |
1.97129 |
.000 |
5.3043 |
18.0957 |
|
Nadeem Malik Live |
16.00000* |
1.97129 |
.000 |
9.6043 |
22.3957 |
|
Hasb-e-Haal |
1.10000 |
1.97129 |
1.000 |
-5.2957 |
7.4957 |
|
Mazak Raat |
5.90000 |
1.97129 |
.096 |
-.4957 |
12.2957 |
|
Khabarnaak |
3.50000 |
1.97129 |
.748 |
-2.8957 |
9.8957 |
|
Khabardar |
2.30000 |
1.97129 |
.976 |
-4.0957 |
8.6957 |
|
Siasi Theatre |
-2.50000 |
1.97129 |
.958 |
-8.8957 |
3.8957 |
|
Off the Record |
Capital Talk |
-6.60000* |
1.97129 |
.037 |
-12.9957 |
-.2043 |
The Reporters |
9.50000* |
1.97129 |
.000 |
3.1043 |
15.8957 |
|
On the Front |
5.10000 |
1.97129 |
.239 |
-1.2957 |
11.4957 |
|
Nadeem Malik Live |
9.40000* |
1.97129 |
.000 |
3.0043 |
15.7957 |
|
Hasb-e-Haal |
-5.50000 |
1.97129 |
.156 |
-11.8957 |
.8957 |
|
Mazak Raat |
-.70000 |
1.97129 |
1.000 |
-7.0957 |
5.6957 |
|
Khabarnaak |
-3.10000 |
1.97129 |
.858 |
-9.4957 |
3.2957 |
|
Khabardar |
-4.30000 |
1.97129 |
.477 |
-10.6957 |
2.0957 |
|
Siasi Theatre |
-9.10000* |
1.97129 |
.001 |
-15.4957 |
-2.7043 |
|
The Reporters |
Capital Talk |
-16.10000* |
1.97129 |
.000 |
-22.4957 |
-9.7043 |
Off the Record |
-9.50000* |
1.97129 |
.000 |
-15.8957 |
-3.1043 |
|
On the Front |
-4.40000 |
1.97129 |
.443 |
-10.7957 |
1.9957 |
|
Nadeem Malik Live |
-.10000 |
1.97129 |
1.000 |
-6.4957 |
6.2957 |
|
Hasb-e-Haal |
-15.00000* |
1.97129 |
.000 |
-21.3957 |
-8.6043 |
|
Mazak Raat |
-10.20000* |
1.97129 |
.000 |
-16.5957 |
-3.8043 |
|
Khabarnaak |
-12.60000* |
1.97129 |
.000 |
-18.9957 |
-6.2043 |
|
Khabardar |
-13.80000* |
1.97129 |
.000 |
-20.1957 |
-7.4043 |
|
Siasi Theatre |
-18.60000* |
1.97129 |
.000 |
-24.9957 |
-12.2043 |
|
On the Front |
Capital Talk |
-11.70000* |
1.97129 |
.000 |
-18.0957 |
-5.3043 |
Off the Record |
-5.10000 |
1.97129 |
.239 |
-11.4957 |
1.2957 |
|
The Reporters |
4.40000 |
1.97129 |
.443 |
-1.9957 |
10.7957 |
|
Nadeem Malik Live |
4.30000 |
1.97129 |
.477 |
-2.0957 |
10.6957 |
|
Hasb-e-Haal |
-10.60000* |
1.97129 |
.000 |
-16.9957 |
-4.2043 |
|
Mazak Raat |
-5.80000 |
1.97129 |
.109 |
-12.1957 |
.5957 |
|
Khabarnaak |
-8.20000* |
1.97129 |
.003 |
-14.5957 |
-1.8043 |
|
Khabardar |
-9.40000* |
1.97129 |
.000 |
-15.7957 |
-3.0043 |
|
Siasi Theatre |
-14.20000* |
1.97129 |
.000 |
-20.5957 |
-7.8043 |
|
Nadeem Malik Live |
Capital Talk |
-16.00000* |
1.97129 |
.000 |
-22.3957 |
-9.6043 |
Off the Record |
-9.40000* |
1.97129 |
.000 |
-15.7957 |
-3.0043 |
|
The Reporters |
.10000 |
1.97129 |
1.000 |
-6.2957 |
6.4957 |
|
On the Front |
-4.30000 |
1.97129 |
.477 |
-10.6957 |
2.0957 |
|
Hasb-e-Haal |
-14.90000* |
1.97129 |
.000 |
-21.2957 |
-8.5043 |
|
Mazak Raat |
-10.10000* |
1.97129 |
.000 |
-16.4957 |
-3.7043 |
|
Khabarnaak |
-12.50000* |
1.97129 |
.000 |
-18.8957 |
-6.1043 |
|
Khabardar |
-13.70000* |
1.97129 |
.000 |
-20.0957 |
-7.3043 |
|
Siasi Theatre |
-18.50000* |
1.97129 |
.000 |
-24.8957 |
-12.1043 |
|
Hasb-e-Haal |
Capital Talk |
-1.10000 |
1.97129 |
1.000 |
-7.4957 |
5.2957 |
Off the Record |
5.50000 |
1.97129 |
.156 |
-.8957 |
11.8957 |
|
The Reporters |
15.00000* |
1.97129 |
.000 |
8.6043 |
21.3957 |
|
On the Front |
10.60000* |
1.97129 |
.000 |
4.2043 |
16.9957 |
|
Nadeem Malik Live |
14.90000* |
1.97129 |
.000 |
8.5043 |
21.2957 |
|
Mazak Raat |
4.80000 |
1.97129 |
.318 |
-1.5957 |
11.1957 |
|
Khabarnaak |
2.40000 |
1.97129 |
.968 |
-3.9957 |
8.7957 |
|
Khabardar |
1.20000 |
1.97129 |
1.000 |
-5.1957 |
7.5957 |
|
Siasi Theatre |
-3.60000 |
1.97129 |
.717 |
-9.9957 |
2.7957 |
|
Mazzak Raat |
Capital Talk |
-5.90000 |
1.97129 |
.096 |
-12.2957 |
.4957 |
Off the Record |
.70000 |
1.97129 |
1.000 |
-5.6957 |
7.0957 |
|
The Reporters |
10.20000* |
1.97129 |
.000 |
3.8043 |
16.5957 |
|
On the Front |
5.80000 |
1.97129 |
.109 |
-.5957 |
12.1957 |
|
Nadeem Malik Live |
10.10000* |
1.97129 |
.000 |
3.7043 |
16.4957 |
|
Hasb-e-Haal |
-4.80000 |
1.97129 |
.318 |
-11.1957 |
1.5957 |
|
Khabarnaak |
-2.40000 |
1.97129 |
.968 |
-8.7957 |
3.9957 |
|
Khabardar |
-3.60000 |
1.97129 |
.717 |
-9.9957 |
2.7957 |
|
Siasi Theatre |
-8.40000* |
1.97129 |
.002 |
-14.7957 |
-2.0043 |
|
Khabarnaak |
Capital Talk |
-3.50000 |
1.97129 |
.748 |
-9.8957 |
2.8957 |
Off the Record |
3.10000 |
1.97129 |
.858 |
-3.2957 |
9.4957 |
|
The Reporters |
12.60000* |
1.97129 |
.000 |
6.2043 |
18.9957 |
|
On the Front |
8.20000* |
1.97129 |
.003 |
1.8043 |
14.5957 |
|
Nadeem Malik Live |
12.50000* |
1.97129 |
.000 |
6.1043 |
18.8957 |
|
Hasb-e-Haal |
-2.40000 |
1.97129 |
.968 |
-8.7957 |
3.9957 |
|
Mazak Raat |
2.40000 |
1.97129 |
.968 |
-3.9957 |
8.7957 |
|
Khabardar |
-1.20000 |
1.97129 |
1.000 |
-7.5957 |
5.1957 |
|
Siasi Theatre |
-6.00000 |
1.97129 |
.085 |
-12.3957 |
.3957 |
|
Khabardar |
Capital Talk |
-2.30000 |
1.97129 |
.976 |
-8.6957 |
4.0957 |
Off the Record |
4.30000 |
1.97129 |
.477 |
-2.0957 |
10.6957 |
|
The Reporters |
13.80000* |
1.97129 |
.000 |
7.4043 |
20.1957 |
|
On the Front |
9.40000* |
1.97129 |
.000 |
3.0043 |
15.7957 |
|
Nadeem Malik Live |
13.70000* |
1.97129 |
.000 |
7.3043 |
20.0957 |
|
Hasb-e-Haal |
-1.20000 |
1.97129 |
1.000 |
-7.5957 |
5.1957 |
|
Mazak Raat |
3.60000 |
1.97129 |
.717 |
-2.7957 |
9.9957 |
|
Khabarnaak |
1.20000 |
1.97129 |
1.000 |
-5.1957 |
7.5957 |
|
Siasi Theatre |
-4.80000 |
1.97129 |
.318 |
-11.1957 |
1.5957 |
|
Siasi Theatre |
Capital Talk |
2.50000 |
1.97129 |
.958 |
-3.8957 |
8.8957 |
Off the Record |
9.10000* |
1.97129 |
.001 |
2.7043 |
15.4957 |
|
The Reporters |
18.60000* |
1.97129 |
.000 |
12.2043 |
24.9957 |
|
On the Front |
14.20000* |
1.97129 |
.000 |
7.8043 |
20.5957 |
|
Nadeem Malik Live |
18.50000* |
1.97129 |
.000 |
12.1043 |
24.8957 |
|
Hasb-e-Haal |
3.60000 |
1.97129 |
.717 |
-2.7957 |
9.9957 |
|
Mazak Raat |
8.40000* |
1.97129 |
.002 |
2.0043 |
14.7957 |
|
Khabarnaak |
6.00000 |
1.97129 |
.085 |
-.3957 |
12.3957 |
|
Khabardar |
4.80000 |
1.97129 |
.318 |
-1.5957 |
11.1957 |
Table 2 reports the findings of ANOVA to examine the effect of Talk Show on
program’s tropes which were categorized into ten groups regarding Talk Shows (Group 1: Capital
Talk; Group 2: Off the Record; Group 3: The Reporters; Group
4: On the Front; Group 5: Nadeem Malik Live; Group 6: Hasb-e-Haal;
Group 7: Mazak Raat; Group 8: Khabarnak; Group 9: Khabardar;
Group 10: Siasi Theatre). The statistical difference at p < .05 was
witnessed in tropes of Talk Shows
shown by TV Channels in Pakistan: F (9, 90) = 22.132, p =
.000. Despite reaching statistical significance, the actual difference in the
mean scores between the groups was high. The effect size, calculated using eta
squared, was .68. Post-hoc comparisons using Tukey HSD test indicated that the
mean score for Group 1 (M =28.10, SD = 2.60) was significantly
different from Group 2 (M = 21.50, SD = 3.47), Group 3 (M
= 12.00, SD = 1.15), Group 4 (M = 16.40, SD = 6.10), Group
5 (M = 12.10, SD = 1.91). The table explains that Capital Talk
mostly presented the tropes of Political Skepticism as compared to Off
the Record, The Reporters, On the Front, Nadeem Malik Live.
The Talk Shows; Off
the Record, The Reporters, On the Front, Nadeem Malik Live
presented the tropes of Political Engagement. Group 2 (M = 21.50, SD = 3.47)
was significantly different from Group 3 (M = 12.00, SD = 1.15)
and Group 5 (M = 12.10, SD = 1.91). The table explains that Off
the Record less presented the tropes of Political Engagement as
compared to The Reporters and Nadeem Malik Live. Group 6 (M
= 27.00, SD = 4.69) was significantly different from Group 3 (M =
12.00, SD = 1.15), Group 4 (M = 16.40, SD = 6.10) and
Group 5 (M = 12.10, SD = 1.91).
The table explains that Hasb-e-Haal
mostly presented the tropes of Political Skepticism as compared to The
Reporters, On the Front, Nadeem Malik Live, which were
aligned to Political Engagement. Group 7 (M = 22.20, SD =
6.05) was significantly different from Group 3 (M = 12.00, SD =
1.15) and Group 5 (M = 12.10, SD = 1.91). The table explains that
Mazak Raat slightly presented the tropes of Political Skepticism
as compared to The Reporters and Nadeem Malik Live, which were
associated to Political Engagement. Group 8 (M = 24.60, SD
= 4.25) was significantly different from Group 3 (M = 12.00, SD =
1.15), Group 4 (M = 16.40, SD = 6.10) and Group 5 (M =
12.10, SD = 1.91).
The
table explains that Khabarnaak moderately presented the tropes of Political
Skepticism as compared to The Reporters, On the Front, and Nadeem
Malik Live were which associated with Political Engagement. Group 9
(M = 25.80, SD = 7.04) was significantly different from Group 3 (M
= 12.00, SD = 1.15), Group 4 (M = 16.40, SD = 6.10) and
Group 5 (M = 12.10, SD = 1.91). The table explains that Khabardar
moderately presented the tropes of Political Skepticism as compared to The
Reporters, On the Front, and Nadeem Malik Live were which
associated with Political Engagement. Group 10 (M = 30.60, SD
= 2.80) was significantly different from Group 2 (M = 21.50, SD =
3.47), Group 3 (M = 12.00, SD
= 1.15), Group 4 (M = 16.40, SD = 6.10), Group 5 (M =
12.10, SD = 1.91) and Group 7 (M = 22.20, SD = 6.05). The
table explains that Siasi Theatre mostly presented the tropes of Political
Skepticism as compared to The Reporters, On the Front, and Nadeem
Malik Live were which are associated to Political Engagement. The
program Siasi Theatre was also significantly different from Mazak Raat,
which slightly presented the tropes of Political Skepticism.
Table 3. Impact of Impact of Genre on the
Stance of Talks Shows on Pakistani TV Channels
|
Genre |
N |
Mean |
Std.
Deviation |
Std.
Error Mean |
Tropes |
Serious |
50 |
18.0200 |
7.03487 |
.99488 |
Comedy |
50 |
26.0400 |
5.68909 |
.80456 |
Table 3b. Independent Samples Test
|
Levene’s Test for Equality of
Variances |
t-test for Equality of Means |
||||
|
F |
Sig. |
t |
df |
Sig.
(2-tailed) |
|
Tropes |
Equal variances assumed |
6.407 |
.013 |
-6.268 |
98 |
.000 |
Equal variances not assumed |
|
|
-6.268 |
93.891 |
.000 |
Table 3c. Independent Samples Test
|
t-test
for Equality of Means |
||||
MD |
Std.
Error Difference |
95%
CI of the Difference |
|||
Lower |
Upper |
||||
Tropes |
Equal variances assumed |
-8.02000 |
1.27949 |
-10.55911 |
-5.48089 |
Equal variances not assumed |
-8.02000 |
1.27949 |
-10.56050 |
-5.47950 |
Table 3
reports that an independent-samples t-test was
conducted to compare the scores of tropes in students on nature of talk shows.
There was significance difference of scores of tropes of talk shows for Serious
Talk Shows (M = 18.02, SD = 7.03) and Comedy Talk
Shows, M = 26.04, SD = 5.69; t (93.891) = -6.268, p
= .000 (two-tailed). The magnitude of the difference in the means (mean
difference = -8.02000, 95 % CI: -10.56050 to -5.47950) was medium (eta squared
= .07). The table explains that Comedy Talk Shows presented
mostly tropes of Political Skepticism as compared to Serious Talk Show which
were mostly aligned to Political Engagement.
Table
4. Impact of Duration of Program on the
Stance of Talks Shows on Pakistani TV Channels
|
N |
Mean |
Std. Deviation |
Std. Error |
95% CI for Mean |
Minimum |
Maximum |
|
LB |
UB |
|||||||
21-30 minutes |
16 |
26.2500 |
7.04746 |
1.76186 |
22.4947 |
30.0053 |
13.00 |
33.00 |
31-40minutes |
71 |
22.0000 |
7.18729 |
.85297 |
20.2988 |
23.7012 |
11.00 |
33.00 |
more than 40 minutes |
13 |
17.0000 |
7.32575 |
2.03180 |
12.5731 |
21.4269 |
11.00 |
29.00 |
Total |
100 |
22.0300 |
7.53370 |
.75337 |
20.5352 |
23.5248 |
11.00 |
33.00 |
Table 4b. ANOVA
Tropes |
SoS |
df |
MS |
F |
Sig. |
Between Groups |
613.910 |
2 |
306.955 |
5.949 |
.004 |
Within Groups |
5005.000 |
97 |
51.598 |
|
|
Total |
5618.910 |
99 |
|
|
|
Table 4c. Post Hoc Tests
Dependent Variable: Tropes
|
||||||
Tukey HSD |
||||||
(I) Duration_of_Progrm |
(J) Duration_of_Progrm |
MD (I-J) |
Std. Error |
Sig. |
95% CI |
|
LB |
UB |
|||||
21-30 minutes |
31-40minutes |
4.25000 |
1.98786 |
.088 |
-.4816 |
8.9816 |
more than 40 minutes |
9.25000* |
2.68215 |
.002 |
2.8659 |
15.6341 |
|
31-40minutes |
21-30 minutes |
-4.25000 |
1.98786 |
.088 |
-8.9816 |
.4816 |
more than 40 minutes |
5.00000 |
2.16698 |
.059 |
-.1579 |
10.1579 |
|
more than 40 minutes |
21-30 minutes |
-9.25000* |
2.68215 |
.002 |
-15.6341 |
-2.8659 |
31-40minutes |
-5.00000 |
2.16698 |
.059 |
-10.1579 |
.1579 |
Table 4
reports the findings of ANOVA to examine the effect of Program’s Timings on
Talk Show’s tropes which were categorized into three groups based on timings
(Group 1: 21-30 minutes; Group 2: 31-40 minutes; Group 3: more than 40
minutes). The statistical difference at p < .05 was witnessed in tropes of Talk Shows shown by TV
Channels in Pakistan due to the program's timings: F (2, 97) =
5.949, p = .004. Despite reaching statistical significance, the actual
difference in the mean scores between the groups was medium. The effect size,
calculated using eta squared, was .10. Post-hoc comparisons using Tukey HSD
test indicated that the mean score for Group 1 (M =26.25, SD =
7.05) was significantly different from Group 3 (M = 17.00, SD =
7.33). The table explains that talk shows 21-30 minutes duration had more
tendencies of Political Skepticism as compared talk shows having the
duration of more than 40 minutes. The Talk Shows more than 40 minutes duration had more tendencies
of Political Engagement.
The findings
of the study strongly approve the research hypothesis, H1: Comedy Talk Shows
have many tropes of political Skepticism as compared to Political Engagement on
Pakistani TV Channels.
The study
pledges that days of the week on which talk shows are broadcast on television
networks have had a significant impact on the tropes of Talk Shows. Those Talk
Shows seen on Wednesday have the strongest political skepticism leanings
compared to Monday's talk shows with the strongest political engagement
tendencies. Capital Talk on Geo News mostly addressed the tropes of political
skepticism as opposed to Nadeem Malik Live on Samma.
Mazzaq Raat
on Express news often portrayed the stereotypes of political skepticism in
comedy Talk Shows as opposed to other comedy talk shows.
The present
study acknowledges past studies of Bennet (2003) and Hart (2000) that the Comedy Talk Shows
presented mostly tropes of Political Skepticism as compared to Serious Talk
Show which is mostly aligned to Political Engagement. The finding
supports the past studies who claim that Serious Talk Shows enhance Political
Engagement (Jones, 2005; McClintock, 2004; Paletz, 2002; Van Zoonen; 2005).
Conclusion
The study concludes that the presentation of issues in the talks shows determines viewers' perceptions. The research recognizes that 21-30 minutes long TV talk shows have more political skepticism propensities, while the TVtalk shows of more than 40-minutes duration have more political engagement dispositions. The study also concludes that comedy talk shows presented on Pakistani TV channels are displaying the tropes of political skepticism, while serious talk shows are exhibiting the tropes of political engagement. The research clarifies that there are several tendencies of political skepticism among the audiences of comedy talk shows and that consumers of serious talk shows have greater tendencies of political engagement. So, it can be inferred that serious talk shows enhance Pakistan's political culture as compared to comedy talk shows.
Appendix
Appendix A: Coding Sheet for Content Analysis
of TV Talk Shows
Date of coding: ___________________ Name of
coder: _______________________
Sampling information [ID#: _____] Aired: Month: __ __ Date: __ __ Year: _ _
_ _
1-Day of week:
(1.) Sunday _____ [1] (2.) Monday _____ [2]
(3.) Tuesday _____ [3] (4.) Wednesday _____ [4]
(5.) Thursday _____ [5] (6.) Friday _____ [6]
(7.) Saturday _____ [7]
2- GENRE: (Serious, Comedy)
3. Duration of program? _____ [1] 30 minutes_____ [2] One hour_____
[3] 90 minutes
_____ [4] Two hours _____ [5] Other (How long
in minutes? __ __ __)
4. Tropes of Political Engagement vs.
Political Skepticism
Political Engagement |
|
|
|
|
|
|
|
Political Skepticism |
|
a) |
Straight Forward |
— |
— |
— |
— |
— |
— |
— |
Complicated |
b) |
Simple to comprehend |
— |
— |
— |
— |
— |
— |
— |
Difficult to comprehend |
c) |
Understanding of the Political Issue |
— |
— |
— |
— |
— |
— |
— |
Misunderstanding of the Political Issue |
d) |
Given solution of the problem |
— |
— |
— |
— |
— |
— |
— |
Given no solution of the problem |
e) |
Public officials care much |
— |
— |
— |
— |
— |
— |
— |
Public officials care less |
f) |
Public officials have pretty touch with the
public |
— |
— |
— |
— |
— |
— |
— |
Public officials lose touch with the public |
g) |
Politicians care public opinion |
— |
— |
— |
— |
— |
— |
— |
Politician do not care public opinion |
h) |
Politician are interested in public problems |
— |
— |
— |
— |
— |
— |
— |
Politician are interested in public votes |
i) |
Politicians are servants of public |
— |
— |
— |
— |
— |
— |
— |
Politicians are masters of public |
J) |
Whoever gets elected does whatever people
want to do |
— |
— |
— |
— |
— |
— |
— |
Whoever gets elected does whatever he/she
wants to do anyway |
k) |
Public have the political power |
— |
— |
— |
— |
— |
— |
— |
A few people have all the political power |
References
- Abelman, R. (1994). News on The 700 Club: The cycle of religious activism. Journalism Quarterly, 71, 887-892.
Cite this article
-
APA : Haroon, S., & Saleem, N. (2021). TV Talk Shows in Pakistan: Politically Engaged or Politically Skeptic?. Global Digital & Print Media Review, IV(IV), 24-39. https://doi.org/10.31703/gdpmr.2021(IV-IV).03
-
CHICAGO : Haroon, Sana, and Noshina Saleem. 2021. "TV Talk Shows in Pakistan: Politically Engaged or Politically Skeptic?." Global Digital & Print Media Review, IV (IV): 24-39 doi: 10.31703/gdpmr.2021(IV-IV).03
-
HARVARD : HAROON, S. & SALEEM, N. 2021. TV Talk Shows in Pakistan: Politically Engaged or Politically Skeptic?. Global Digital & Print Media Review, IV, 24-39.
-
MHRA : Haroon, Sana, and Noshina Saleem. 2021. "TV Talk Shows in Pakistan: Politically Engaged or Politically Skeptic?." Global Digital & Print Media Review, IV: 24-39
-
MLA : Haroon, Sana, and Noshina Saleem. "TV Talk Shows in Pakistan: Politically Engaged or Politically Skeptic?." Global Digital & Print Media Review, IV.IV (2021): 24-39 Print.
-
OXFORD : Haroon, Sana and Saleem, Noshina (2021), "TV Talk Shows in Pakistan: Politically Engaged or Politically Skeptic?", Global Digital & Print Media Review, IV (IV), 24-39
-
TURABIAN : Haroon, Sana, and Noshina Saleem. "TV Talk Shows in Pakistan: Politically Engaged or Politically Skeptic?." Global Digital & Print Media Review IV, no. IV (2021): 24-39. https://doi.org/10.31703/gdpmr.2021(IV-IV).03